This book examines transformations in the production and domestic and international reception of Iranian cinema between 2000 and 2013 through the intersection of the political markers and filmic markers, particularly Jafar Panahiâ s The Circle (2000) and Asghar Farhadiâ s About Elly (2009).
This book examines transformations in the production and domestic and international reception of Iranian cinema between 2000 and 2013 through the intersection of the political markers and filmic markers, particularly Jafar Panahiâ s The Circle (2000) and Asghar Farhadiâ s About Elly (2009).Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Anne Démy-Geroe was the inaugural Artistic Director of the Brisbane International Film Festival for eighteen years and for seven years a co-Director at the Iranian Film Festival Australia. A Vice President of NETPAC, inaugural member of the Asia Pacific Screen Awards Nominations Council, and a director of the Asia Pacific Screenlab, she was awarded an Australian Centenary Medal for services to the film industry in 2003. She now lectures on Asia Pacific Cinema at Griffith Film School, Griffith University, Australia.
Inhaltsangabe
Introduction 1. Making 'Constructive' Films: Generic Themes and Modulations 2. Iranian Cinema Means the Middle Classes... 3. New Iranian Cinema and the International Festivals 4. Film Festivals and Festival Films: an Iranian Perspective 5. Cinema is a Weapon: Combatting the Soft War 6. Culture is not a form of entertainment Conclusion - Our art will remain the same Bibliography Filmography
Introduction 1. Making 'Constructive' Films: Generic Themes and Modulations 2. Iranian Cinema Means the Middle Classes... 3. New Iranian Cinema and the International Festivals 4. Film Festivals and Festival Films: an Iranian Perspective 5. Cinema is a Weapon: Combatting the Soft War 6. Culture is not a form of entertainment Conclusion - Our art will remain the same Bibliography Filmography
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