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Beautifully shaped and with language full of sensuous intimations, here is the latest volume of poems by Steve Luxton. From the tensile short lyrics of "Hermit Crab Song" to the loosely sashaying rhythms of "Morning After: At the Dacha". Luxton's sustained vision compels and fascinates. As G V Downes comments in Canadian Literature, Luxton is both original and aware, a poet "who sees with precision" the Canadian landscape. Like the being in the title poem "Iridium", the reader is urged for a moment to relinquish the grotesque world of appearances to find shapes that sound, touch, and endure.

Produktbeschreibung
Beautifully shaped and with language full of sensuous intimations, here is the latest volume of poems by Steve Luxton. From the tensile short lyrics of "Hermit Crab Song" to the loosely sashaying rhythms of "Morning After: At the Dacha". Luxton's sustained vision compels and fascinates. As G V Downes comments in Canadian Literature, Luxton is both original and aware, a poet "who sees with precision" the Canadian landscape. Like the being in the title poem "Iridium", the reader is urged for a moment to relinquish the grotesque world of appearances to find shapes that sound, touch, and endure.
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Autorenporträt
Born in Coventry, England, Steve Luxton lives in Hatley in the rural eastern Townships of Quebec. He has taught at John Abbott College and Concordia University in Montreal. An original editor of both Matrix and The Moosehead Review, his first complete book of poems, the hills that pass by was published in 1987, his second, Iridium in 1993, Luna Moth and Other Poems in 2004, and In the Vision of Birds in 2012.