Examining images of gender and violence, this book analyzes selected works of three influential artists of the Irish cinema--Ford, Sheridan and Greengrass--whose careers, taken together, span the period from 1939 to the present. These three explore fundamental questions about identity, patriarchy and violence within Irish and Irish-American contexts, and in the process upset conventional notions of masculine authority. Furthermore, Ford's later films interestingly depart from the egalitarian ideals that distinguish his pre-World War II films.
Examining images of gender and violence, this book analyzes selected works of three influential artists of the Irish cinema--Ford, Sheridan and Greengrass--whose careers, taken together, span the period from 1939 to the present. These three explore fundamental questions about identity, patriarchy and violence within Irish and Irish-American contexts, and in the process upset conventional notions of masculine authority. Furthermore, Ford's later films interestingly depart from the egalitarian ideals that distinguish his pre-World War II films.
Joseph Paul Moser is an assistant professor of English and film studies at Fitchburg State University in Massachusetts. He lives in Somerville, Massachusetts.
Inhaltsangabe
Table of Contents Acknowledgments Preface Chapter 1. A Fragile Liberalism: Gender in John Ford's Pre-World War II Cinema Chapter 2. The Persistence of Patriarchy: Gender and Politics in John Ford's Later Films Chapter 3. Assimilation, Integration, Continuity and Critique: Gender and Genre in the Hollywood Irish Cinemas of John Ford and Jim Sheridan Chapter 4. Jim Sheridan: Reconstructing the Family, Rede¿ning the Nation Chapter 5. Alternative Masculinity and Irish Historical Trauma in Paul Greengrass's Bloody Sunday and Omagh Conclusion Chapter Notes Bibliography and Filmography Index
Table of Contents Acknowledgments Preface Chapter 1. A Fragile Liberalism: Gender in John Ford's Pre-World War II Cinema Chapter 2. The Persistence of Patriarchy: Gender and Politics in John Ford's Later Films Chapter 3. Assimilation, Integration, Continuity and Critique: Gender and Genre in the Hollywood Irish Cinemas of John Ford and Jim Sheridan Chapter 4. Jim Sheridan: Reconstructing the Family, Rede¿ning the Nation Chapter 5. Alternative Masculinity and Irish Historical Trauma in Paul Greengrass's Bloody Sunday and Omagh Conclusion Chapter Notes Bibliography and Filmography Index
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