Islam is a religion but there are also popular cultures of Islam that are mass mediated, commercialized, pleasure-filled, humorous, and representative of large segments of society. This book illuminates how Muslims (and non-Muslims) in Indonesia and Malaysia make sense of their lives within an increasingly pervasive, popular culture of Islamic images, texts, film, songs, and narratives.
Islam is a religion but there are also popular cultures of Islam that are mass mediated, commercialized, pleasure-filled, humorous, and representative of large segments of society. This book illuminates how Muslims (and non-Muslims) in Indonesia and Malaysia make sense of their lives within an increasingly pervasive, popular culture of Islamic images, texts, film, songs, and narratives.
Andrew N. Weintraub is Professor of Music at the University of Pittsburgh, USA. He is the author of Dangdut Stories: A Social and Musical History of Indonesia's Most Popular Music; Power Plays: Wayang Golek Puppet Theater of West Java and co-editor of Music and Cultural Rights.
Inhaltsangabe
1. Introduction Part I: Commercial educational government and religious institutions 2. Negotiating Mass Media Interests and Heterogeneous Muslim Audiences in the Contemporary Social-Political Environment of Indonesia 3. Multiple Islams Multiple Modernities: Art Cinema in between Nationhood and Everyday Islam in Bangladesh and Malaysia 4. Upgraded Piety and Pleasure: The New Middle Class and Islam in Indonesian Popular Culture Part II: Social processes of media production circulation and reception 5. Music Islam and the Commercial Media in Contemporary Indonesia 6. The Internet Cyber-Religion and Authority: The Case of the Indonesian Liberal Islam Network 7. "Sex Sells or Does It?" Discourses of Sex and Sexuality in Popular Women's Magazines in Contemporary Indonesia Part III: Islamic perspectives on film music and literature 8. (Un)framing Muslim Sexuality in Dina Zaman's I Am Muslim 9. Sexing Islam: Religion and Contemporary Malaysian Cinema 10. Musical Modernity Islamic Identity and Arab Aesthetics in Arab-Indonesian Orkes Gambus 11. Music as a Medium for Communication Unity Education and Dakwah Part IV: Representations values and meanings 12. Taking Liberties: Independent Filmmakers Representing the Tudung in Malaysia 13. Holy Matrimony? The Print Politics of Polygamy in Indonesia 14. Pop Politics and Piety: Nasyid Boy Band Music in Muslim Southeast Asia
1. Introduction Part I: Commercial educational government and religious institutions 2. Negotiating Mass Media Interests and Heterogeneous Muslim Audiences in the Contemporary Social-Political Environment of Indonesia 3. Multiple Islams Multiple Modernities: Art Cinema in between Nationhood and Everyday Islam in Bangladesh and Malaysia 4. Upgraded Piety and Pleasure: The New Middle Class and Islam in Indonesian Popular Culture Part II: Social processes of media production circulation and reception 5. Music Islam and the Commercial Media in Contemporary Indonesia 6. The Internet Cyber-Religion and Authority: The Case of the Indonesian Liberal Islam Network 7. "Sex Sells or Does It?" Discourses of Sex and Sexuality in Popular Women's Magazines in Contemporary Indonesia Part III: Islamic perspectives on film music and literature 8. (Un)framing Muslim Sexuality in Dina Zaman's I Am Muslim 9. Sexing Islam: Religion and Contemporary Malaysian Cinema 10. Musical Modernity Islamic Identity and Arab Aesthetics in Arab-Indonesian Orkes Gambus 11. Music as a Medium for Communication Unity Education and Dakwah Part IV: Representations values and meanings 12. Taking Liberties: Independent Filmmakers Representing the Tudung in Malaysia 13. Holy Matrimony? The Print Politics of Polygamy in Indonesia 14. Pop Politics and Piety: Nasyid Boy Band Music in Muslim Southeast Asia
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