A sweeping new work revealing Islamâ s influence on literary Romanticism, mapping the impact of Muslim sources on the Westâ s most seminal authors, from J.W. Goethe to R.W. Emerson
A sweeping new work revealing Islamâ s influence on literary Romanticism, mapping the impact of Muslim sources on the Westâ s most seminal authors, from J.W. Goethe to R.W. EmersonHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Islamic and Muslim Contributions to Culture and Civilisation
Jeffrey Einboden is Associate Professor in the English Department at Northern Illinois University. Most recently, he has authored Nineteenth-Century U.S. Literature in Middle Eastern Languages, a study of celebrated American authors in Arabic, Persian and Hebrew translation. Einboden’s research has appeared in journals such as Middle Eastern Literatures, Translation and Literature, and the Journal of Qur’anic Studies; his article “The Genesis of Weltliteratur” was named in 2006 one of the “100 seminal articles” published by Oxford University Press Journals during the past century.
Inhaltsangabe
Introduction: Weimar, 2000: Memorializing Goethe’s Ḥāfiẓ 1 Weimar, 1800: Dramatizing Goethe’s “Mahomet” 2 “Mohammed came forward on the stage”: Herder’s Islamic History 3 “In the footsteps of Mohammed”: Friedrich Schlegel and Novalis 4 “Allāh is the best Keeper”: Joseph Hammer’s Ḥāfiẓ 5 “In no other language”: Goethe’s Arabic Apprenticeship 6 “Is the Qur’an from eternity?”: Goethe’s Divan and the “Book of Books” 7 “The Flight and Return of Mohammed”: S. T. Coleridge and Robert Southey 8 “The all-beholding Prophet’s aweful voice”: Southey’s Thalaba the Destroyer 9 “The Prophet, who could summon the future to his presence”: Landor’s Eastern Renditions 10 “I blush as a good Mussulman”: Byron’s Turkish Tales and Travels 11 “Beautiful beyond all the bells in Christendom”: Byron’s Aesthetic Adh ān 12 “The orient moon of Islam rode in triumph”: Percy Bysshe Shelley as “Islamite” 13 “The female followers of Mahomet”: Mary Shelley’s Frankenstein 14 “A strong mixture of the Saracenic with the Gothic”: Irving’s Islamic Biographies 15 “Twenty thousand copies of the Koran”: Poe’s Muslim Medium 16 “Unveiled Allah pours the flood of truth”: Emerson’s Islamic Civics Epilogue: Romantic Requiem: The Islamic Interment of Yūsuf bin Ḥāmir Notes Bibliography Index
Introduction: Weimar, 2000: Memorializing Goethe’s Ḥāfiẓ 1 Weimar, 1800: Dramatizing Goethe’s “Mahomet” 2 “Mohammed came forward on the stage”: Herder’s Islamic History 3 “In the footsteps of Mohammed”: Friedrich Schlegel and Novalis 4 “Allāh is the best Keeper”: Joseph Hammer’s Ḥāfiẓ 5 “In no other language”: Goethe’s Arabic Apprenticeship 6 “Is the Qur’an from eternity?”: Goethe’s Divan and the “Book of Books” 7 “The Flight and Return of Mohammed”: S. T. Coleridge and Robert Southey 8 “The all-beholding Prophet’s aweful voice”: Southey’s Thalaba the Destroyer 9 “The Prophet, who could summon the future to his presence”: Landor’s Eastern Renditions 10 “I blush as a good Mussulman”: Byron’s Turkish Tales and Travels 11 “Beautiful beyond all the bells in Christendom”: Byron’s Aesthetic Adh ān 12 “The orient moon of Islam rode in triumph”: Percy Bysshe Shelley as “Islamite” 13 “The female followers of Mahomet”: Mary Shelley’s Frankenstein 14 “A strong mixture of the Saracenic with the Gothic”: Irving’s Islamic Biographies 15 “Twenty thousand copies of the Koran”: Poe’s Muslim Medium 16 “Unveiled Allah pours the flood of truth”: Emerson’s Islamic Civics Epilogue: Romantic Requiem: The Islamic Interment of Yūsuf bin Ḥāmir Notes Bibliography Index
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