Isolde Ahlgrimm (1914-1995), was an important pioneer in the revival of Baroque and Classical keyboard instruments in her native city, Vienna, and later, throughout Europe and the United States. Ahlgrimm's performances of Baroque music represented a radical departure from the distinctly twentieth-century interpretations by the much more famous Wanda Landowska and her followers. Peter Watchorn provides an engaging study of Ahlgrimm, and argues that her contribution to the harpsichord and fortepiano revival was pivotal, and that her use of period instruments and the inspiration she instilled in…mehr
Isolde Ahlgrimm (1914-1995), was an important pioneer in the revival of Baroque and Classical keyboard instruments in her native city, Vienna, and later, throughout Europe and the United States. Ahlgrimm's performances of Baroque music represented a radical departure from the distinctly twentieth-century interpretations by the much more famous Wanda Landowska and her followers. Peter Watchorn provides an engaging study of Ahlgrimm, and argues that her contribution to the harpsichord and fortepiano revival was pivotal, and that her use of period instruments and the inspiration she instilled in younger musicians, including Nikolaus Harnoncourt and Gustav Leonhardt, has been almost entirely overlooked by the wider musical world.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Peter Watchorn was born in Australia. Since 1974 he has devoted himself to a detailed study of the harpsichord and its repertoire, achieving an international reputation for his consistently high standard of performance. Resident since 1987 in Cambridge, Massachusetts, Peter Watchorn has enjoyed an extensive career in both solo and chamber music. In 1985 at the Boston Early Music Festival he was presented with the most prestigious American prize for early music, the Erwin Bodky Award, for his performances of the music of J.S. Bach. From 1985-1992 he studied with the celebrated Viennese harpsichordist, Isolde Ahlgrimm and, as her authorized biographer, has published numerous articles about her life and career. He holds a Doctorate of Musical Arts from Boston University (1995). His recordings are found on Hÿnssler, Titanic, Globe and Musica Omnia.
Inhaltsangabe
Contents: Foreword, Penelope Crawford Preface, Virginia Pleasants Introduction: early music, Vienna and the missing link Early education and influences Instrument collecting, Erich Fiala and the Concerte fÿr Kenner und Liebhaber, 1934-1956 Isolde Ahlgrimm, Philips Phonographische Industrie and J.S. Bach: the Complete Works for Harpsichord After the deluge: artistic independence. The years 1956-1984 Appendices Bibliography Index.
Contents: Foreword, Penelope Crawford Preface, Virginia Pleasants Introduction: early music, Vienna and the missing link Early education and influences Instrument collecting, Erich Fiala and the Concerte fÿr Kenner und Liebhaber, 1934-1956 Isolde Ahlgrimm, Philips Phonographische Industrie and J.S. Bach: the Complete Works for Harpsichord After the deluge: artistic independence. The years 1956-1984 Appendices Bibliography Index.
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826