This book conceptualizes Mizrahi (Middle-Eastern Jewish) theatre, unfolding its performances in the field of Israeli theatre with a critical gaze. It covers the conceptualization and typology, not along a chronological axis, but rather through seven theatrical forms.
This book conceptualizes Mizrahi (Middle-Eastern Jewish) theatre, unfolding its performances in the field of Israeli theatre with a critical gaze. It covers the conceptualization and typology, not along a chronological axis, but rather through seven theatrical forms.
Naphtaly Shem-Tov is Senior Lecturer and Head of Literature, Language, and the Arts Department at the Open University of Israel. His main research interest is social aspects of Israeli theatre and performance. His books include Acco Festival: Between Celebration and Confrontation ( 2016 ) and Improvisational Teaching (2015).
Inhaltsangabe
Introduction: Conceptualizing Mizrahi Theatre 1. Community-based Theatre 2. Performing History 3. Docudrama and Social Realism 4. Feminist Theatre 5. Autobiographical Performance 6. Poetry Performance 7. Jewish-Moroccan Theatre Epilogue: Mizrahi Theatre Between the Personal and the Political
Introduction: Conceptualizing Mizrahi Theatre 1. Community-based Theatre 2. Performing History 3. Docudrama and Social Realism 4. Feminist Theatre 5. Autobiographical Performance 6. Poetry Performance 7. Jewish-Moroccan Theatre Epilogue: Mizrahi Theatre Between the Personal and the Political
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