Issues in African American Music
Power, Gender, Race, Representation
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PART I: INTERPRETING MUSIC 1. Performing Blues and Navigating Race in Transcultural Contexts (Susan Oehler Herrick)2. New Bottle, Old Wine: Whither Jazz Studies? (Travis A. Jackson)3. The Politics of Race Erasure in Defining Black Popular Music Origins (Portia K. Maultsby)4. Negotiating Blackness in Western Art Music (Olly Wilson)PART II: MASS MEDIATION5. Crossing Musical Borders: Agency and Process in the Gospel Music Industry (Mellonee V. Burnim)6. Industrializing African American Popular Music (Reebee Garofolo)7. The Motown Legacy: Homegrown Sound, Mass Appeal (Charles E. Sykes)8. Stax Reco...
PART I: INTERPRETING MUSIC
1. Performing Blues and Navigating Race in Transcultural Contexts (Susan Oehler Herrick)
2. New Bottle, Old Wine: Whither Jazz Studies? (Travis A. Jackson)
3. The Politics of Race Erasure in Defining Black Popular Music Origins (Portia K. Maultsby)
4. Negotiating Blackness in Western Art Music (Olly Wilson)
PART II: MASS MEDIATION
5. Crossing Musical Borders: Agency and Process in the Gospel Music Industry (Mellonee V. Burnim)
6. Industrializing African American Popular Music (Reebee Garofolo)
7. The Motown Legacy: Homegrown Sound, Mass Appeal (Charles E. Sykes)
8. Stax Records and the Impulse Toward Integration (Rob Bowman)
9. Uptown SoundDowntown Bound: Philadelphia International Records (John A. Jackson)
10. "And the Beat Goes On": SOLARThe Sound of Los Angeles Records (Scot Brown)
11. Tyscot Records: Gospel Music Production as Ministry (Tyron Cooper)
PART III: GENDER
12. Voices of Women in Gospel: Resisting Representations (Mellonee V. Burnim)
13. Are All the Choir Directors Gay? Black Men´s Sexuality and Identity in Gospel Performance (Alisha Lola Jones)
14. Women in Blues: Transgressing Boundaries (Daphne Duval Harrison)
15. Jazz History Remix: Black Women from "Enter" to "Center" (Sherrie Tucker)
16. The Reception of Blackness in "women´s music" (Eileen M. Hayes)
17. African American Women and the Dynamics of Gender, Race, and Genre in Rock ´n´ Roll (Maureen Mahon)
18. "Ain´t Nuthin´ But a She Thang": Women in Hip Hop (Cheryl L. Keyes)
PART IV: MUSICAL AGENCYAFRICAN AMERICAN MUSIC AS RESISTANCE
19. The Antebellum Period: Communal Coherence and Individual Expression (Lawrence W. Levine)
20. Civil Rights Period: Music as an Agent of Social Change (Bernice Johnson Reagon)
21. The Post-Civil Rights Period: The Politics of Musical Creativity (Mark Anthony Neal)
1. Performing Blues and Navigating Race in Transcultural Contexts (Susan Oehler Herrick)
2. New Bottle, Old Wine: Whither Jazz Studies? (Travis A. Jackson)
3. The Politics of Race Erasure in Defining Black Popular Music Origins (Portia K. Maultsby)
4. Negotiating Blackness in Western Art Music (Olly Wilson)
PART II: MASS MEDIATION
5. Crossing Musical Borders: Agency and Process in the Gospel Music Industry (Mellonee V. Burnim)
6. Industrializing African American Popular Music (Reebee Garofolo)
7. The Motown Legacy: Homegrown Sound, Mass Appeal (Charles E. Sykes)
8. Stax Records and the Impulse Toward Integration (Rob Bowman)
9. Uptown SoundDowntown Bound: Philadelphia International Records (John A. Jackson)
10. "And the Beat Goes On": SOLARThe Sound of Los Angeles Records (Scot Brown)
11. Tyscot Records: Gospel Music Production as Ministry (Tyron Cooper)
PART III: GENDER
12. Voices of Women in Gospel: Resisting Representations (Mellonee V. Burnim)
13. Are All the Choir Directors Gay? Black Men´s Sexuality and Identity in Gospel Performance (Alisha Lola Jones)
14. Women in Blues: Transgressing Boundaries (Daphne Duval Harrison)
15. Jazz History Remix: Black Women from "Enter" to "Center" (Sherrie Tucker)
16. The Reception of Blackness in "women´s music" (Eileen M. Hayes)
17. African American Women and the Dynamics of Gender, Race, and Genre in Rock ´n´ Roll (Maureen Mahon)
18. "Ain´t Nuthin´ But a She Thang": Women in Hip Hop (Cheryl L. Keyes)
PART IV: MUSICAL AGENCYAFRICAN AMERICAN MUSIC AS RESISTANCE
19. The Antebellum Period: Communal Coherence and Individual Expression (Lawrence W. Levine)
20. Civil Rights Period: Music as an Agent of Social Change (Bernice Johnson Reagon)
21. The Post-Civil Rights Period: The Politics of Musical Creativity (Mark Anthony Neal)
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