Produktbild: Issues of Contemporary Art and Aesthetics in Chinese Context

Issues of Contemporary Art and Aesthetics in Chinese Context

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

22.10.2016

Abbildungen

XI, 103 p. 9 illus. in color.

Verlag

Springer Berlin

Seitenzahl

103

Maße (L/B/H)

27,9/21/0,7 cm

Gewicht

339 g

Auflage

Softcover reprint of the original 1st ed. 2015

Sprache

Englisch

ISBN

978-3-662-51650-8

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

22.10.2016

Abbildungen

XI, 103 p. 9 illus. in color.

Verlag

Springer Berlin

Seitenzahl

103

Maße (L/B/H)

27,9/21/0,7 cm

Gewicht

339 g

Auflage

Softcover reprint of the original 1st ed. 2015

Sprache

Englisch

ISBN

978-3-662-51650-8

Herstelleradresse

Springer-Verlag KG
Sachsenplatz 4-6
1201 Wien
AT

Email: GPSR Kontakt

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  • Produktbild: Issues of Contemporary Art and Aesthetics in Chinese Context

  • What is an Author?.- Rethinking Art and Values.- Contemporary Philosophical Aesthetics in China: The Relation Between Subject and Object.- A Critical Reflection on a Suggested Return to Aesthetic Experience in Socialist China.- Some Reflections on Confucian Aesthetics and Its Feminist Modalities.- Metaphysics, Corporeality and Visuality: A Developmental and Comparative Review of the Discourses on Chinese Ink Painting.- Experimental Painting and Painting Theories in Colonial Hong Kong (1940-1980): Reflections on Cultural Identity.- The Notion of "Orientalism" in the Modernization Movement of Chinese Painting of Hong Kong Artists in 1960s: The Case of Hon Chi-fun.- Some Reflections on "Feminist Aesthetics": Private/Public? Personal/ Political? Gender/Post-Colonial? --- The Case of Young Women Art in Post-Colonial Hong Kong.- A Museum of Hybridity: The History of the Display of Art in the Public Museum of Hong Kong and Its Implications for Cultural Identities.- The Trinity “Hong Kong- China-The World”: The Battle of Cultural Identities as a Form of Hegemony in Art in Postcolonial Hong Kong (since 1990s).- Hong Kong Pavilion at the Venice Biennale As Method: The Case of Lee Kit Rights in Hong Kong.- Influence of Global Aesthetics on Chinese Aesthetics: The Adaption of Moxie and the Case of Dafen Cun.