Contrary to arguments by the Recording Industry Association of America, this book posits major record labels led the change to digital music to strengthen profits. This updated edition explores both the transitions to the download era and the streaming era for recorded music.
Contrary to arguments by the Recording Industry Association of America, this book posits major record labels led the change to digital music to strengthen profits. This updated edition explores both the transitions to the download era and the streaming era for recorded music.
David Arditi is associate professor of sociology and director of the Center for Theory at the University of Texas at Arlington.
Inhaltsangabe
Introduction Part I: Transformations in the Recording Industry Chapter One: Recording Industry in Transition Chapter Two: The Expansion of Consumption in the Recording Industry Part II: The State in Music Chapter Three: Copyright: A Critical Exploration Chapter Four: Critical Junctures Part III: The Recording Industry and Labor Chapter Five: Musician Labor Chapter Six: Victims, Musicians, and Metallica Part IV: Digital Distribution and Surveillance Chapter Seven: Distribution Then and Now Chapter Eight: Watching Music Consumption Conclusion
Introduction Part I: Transformations in the Recording Industry Chapter One: Recording Industry in Transition Chapter Two: The Expansion of Consumption in the Recording Industry Part II: The State in Music Chapter Three: Copyright: A Critical Exploration Chapter Four: Critical Junctures Part III: The Recording Industry and Labor Chapter Five: Musician Labor Chapter Six: Victims, Musicians, and Metallica Part IV: Digital Distribution and Surveillance Chapter Seven: Distribution Then and Now Chapter Eight: Watching Music Consumption Conclusion
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