This book challenges past definitions of Italian American cinema and media studies by introducing fresh critical models into the discourse. Proposing new intersectional debates about ethnic identity, including race, class, gender, and sexuality studies, contributors establish new interpretations concerning Italian Americans on screen.
This book challenges past definitions of Italian American cinema and media studies by introducing fresh critical models into the discourse. Proposing new intersectional debates about ethnic identity, including race, class, gender, and sexuality studies, contributors establish new interpretations concerning Italian Americans on screen.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Edited by Ryan Calabretta-Sajder and Alan J. Gravano - Contributions by Ryan Calabretta-Sajder; Mary Ann McDonald Carolan; Jonathan J. Cavallero; Francesco Chianese; Alan J. Gravano; Paul S. Moore; Colleen M. Ryan; Sarah H. Salter; Giuseppe Sorrentino; Gi
Inhaltsangabe
Introduction Ryan Calabretta-Sajder & Alan Gravano Part I: What is Italian-American Cinema? 1. What is Italian about Sofia Coppola? Tracing Ethnicity in Third-Generation Feminist Cinema Colleen Ryan 2. Edible Ethnicity: Italian-American Representations, Cinematic Style, and Ethnic Commodification in Stanley Tucci's and Campbell Scott's Big Night Jonathan Cavallero 3. Questioning the Italian-American Palooka: From Definition of Race to Disabilities in Avildsen's Rocky, Coogler's Creed, and Caple Jr's Creed II Alan Gravano Part II: Blurring the Lines between Italian and American on Screen 4. The Italian Pursuit of Hollywood Mary Ann McDonald Carolan 5. Comedies of Identity: Italian Cinema and Television Narrating Italian Americans Giuseppe Sorrentino Part III: Re-Viewing Italian Americana on Screen: Reception and Reflections 6. Who's Laughing at Whom? Masculinity, Humor, and Italian American Lives on Mainstream Television: Friends Ryan Calabretta-Sajder 7. Tony Soprano Meets Furio Giunta: Italian Americans and the 'Real' Italians in The Sopranos Francesco Chianese Part IV: Italian Newspapers, Italian Cinema, and 2.0 Media 8. Serializing Italian American Futurities Sarah Salter 9. Cinema Paradiso: Toronto's Italian Language Cinemas and Distribution Networks Jessica Leonora Whitehead and Paul S. Moore 10. Conversing about National Attributes Online: The Case of Italy and the U.S. Giacomo Sproccati Index About the Contributors
Introduction Ryan Calabretta-Sajder & Alan Gravano Part I: What is Italian-American Cinema? 1. What is Italian about Sofia Coppola? Tracing Ethnicity in Third-Generation Feminist Cinema Colleen Ryan 2. Edible Ethnicity: Italian-American Representations, Cinematic Style, and Ethnic Commodification in Stanley Tucci's and Campbell Scott's Big Night Jonathan Cavallero 3. Questioning the Italian-American Palooka: From Definition of Race to Disabilities in Avildsen's Rocky, Coogler's Creed, and Caple Jr's Creed II Alan Gravano Part II: Blurring the Lines between Italian and American on Screen 4. The Italian Pursuit of Hollywood Mary Ann McDonald Carolan 5. Comedies of Identity: Italian Cinema and Television Narrating Italian Americans Giuseppe Sorrentino Part III: Re-Viewing Italian Americana on Screen: Reception and Reflections 6. Who's Laughing at Whom? Masculinity, Humor, and Italian American Lives on Mainstream Television: Friends Ryan Calabretta-Sajder 7. Tony Soprano Meets Furio Giunta: Italian Americans and the 'Real' Italians in The Sopranos Francesco Chianese Part IV: Italian Newspapers, Italian Cinema, and 2.0 Media 8. Serializing Italian American Futurities Sarah Salter 9. Cinema Paradiso: Toronto's Italian Language Cinemas and Distribution Networks Jessica Leonora Whitehead and Paul S. Moore 10. Conversing about National Attributes Online: The Case of Italy and the U.S. Giacomo Sproccati Index About the Contributors
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