This book explores the Italian film landscape with a focus on cinematic achievements of the twenty-first century.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Millicent Marcus is a professor of Italian Studies and Film & Media Studies at Yale University.
Inhaltsangabe
Acknowledgments Preface Introduction: An Overview Mafias 1. Toward a New Language of Engagement for the New Millennium: Marco Tullio Giordana’s The One Hundred Steps, 2000 2. The Anti-Mafia Martyr Film Takes an Unexpected Turn: Pierfrancesco Diliberto’s The Mafia Only Kills in the Summer, 2013 3. "This Is Not a Crime Film": Michele Placido’s Crime Novel, 2005 4. "The Normality of Devastation": Matteo Garrone’s Gomorrah, 2008 Neo-regionalism 5. "Non per vacanza, ma per viverci!" (Not to Vacation, but to Live Here!): Giorgio Diritti’s The Wind Blows Round, 2005 6. The Child as the "Custodian of Future Memory": Giorgio Diritti’s The Man Who Is to Come, 2009 Migrants 7. Channeling the Geographic Unconscious: Federico Bondi’s Black Sea, 2009 8. "Your Position Please": Gianfranco Rosi’s Fire at Sea, 2016 Leadership 9. The Ironist and the Auteur: Paolo Sorrentino’s Il Divo, 2008 10. Liberating the Left: Toward a Humanist Language of Engagement for a Post-Political Age: Roberto Andò’s Long Live Liberty, 2013 11. The Pontiff and the Shrink: Nanni Moretti’s We Have a Pope, 2011 Women 12. "It Ended the Way It Should Have": Francesca Comencini’s The Blank Space, 2008 13. Comic Relief: Riccardo Milani’s Don’t Stop Me Now, 2019 In a Category unto Itself 14. Hidden Beneath the "Blah Blah Blah": Paolo Sorrentino’s The Great Beauty, 2013 Bibliography Index
Acknowledgments Preface Introduction: An Overview Mafias 1. Toward a New Language of Engagement for the New Millennium: Marco Tullio Giordana’s The One Hundred Steps, 2000 2. The Anti-Mafia Martyr Film Takes an Unexpected Turn: Pierfrancesco Diliberto’s The Mafia Only Kills in the Summer, 2013 3. "This Is Not a Crime Film": Michele Placido’s Crime Novel, 2005 4. "The Normality of Devastation": Matteo Garrone’s Gomorrah, 2008 Neo-regionalism 5. "Non per vacanza, ma per viverci!" (Not to Vacation, but to Live Here!): Giorgio Diritti’s The Wind Blows Round, 2005 6. The Child as the "Custodian of Future Memory": Giorgio Diritti’s The Man Who Is to Come, 2009 Migrants 7. Channeling the Geographic Unconscious: Federico Bondi’s Black Sea, 2009 8. "Your Position Please": Gianfranco Rosi’s Fire at Sea, 2016 Leadership 9. The Ironist and the Auteur: Paolo Sorrentino’s Il Divo, 2008 10. Liberating the Left: Toward a Humanist Language of Engagement for a Post-Political Age: Roberto Andò’s Long Live Liberty, 2013 11. The Pontiff and the Shrink: Nanni Moretti’s We Have a Pope, 2011 Women 12. "It Ended the Way It Should Have": Francesca Comencini’s The Blank Space, 2008 13. Comic Relief: Riccardo Milani’s Don’t Stop Me Now, 2019 In a Category unto Itself 14. Hidden Beneath the "Blah Blah Blah": Paolo Sorrentino’s The Great Beauty, 2013 Bibliography Index
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