Spanning four decades of radical political and social change in Italy, this interdisciplinary study explores photography's relationship with Italian painting, film, literature, anthropological research and international photography.
Spanning four decades of radical political and social change in Italy, this interdisciplinary study explores photography's relationship with Italian painting, film, literature, anthropological research and international photography.
Martina Caruso is Associate Lecturer in Photography and Contemporary Media Cultures, University of the Arts, London, UK. She also co-directs the Giulio Turcato Archives in Rome, Italy.
Inhaltsangabe
Introduction: Situating Italian Humanist Photography1. Antifascist Photography under Fascism2. Photography, Power and Humiliation in the Second World War3. Christ Stopped at Eboli: An Anthropology of the South4. Humanist Photography and The 'Catholic' Family of ManFine (The End): La Dolce Vita and the Burst into TechnicolourBibliographyIndex
Introduction: Situating Italian Humanist Photography1. Antifascist Photography under Fascism2. Photography, Power and Humiliation in the Second World War3. Christ Stopped at Eboli: An Anthropology of the South4. Humanist Photography and The 'Catholic' Family of ManFine (The End): La Dolce Vita and the Burst into TechnicolourBibliographyIndex
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