Italian Opera in Global and Transnational Perspective

Herausgeber: Körner, Axel; Kühl, Paulo M

• Gebundenes Buch

Produktbeschreibung

This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianità) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies.

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Produktdetails

• Verlag: Cambridge University Press
• Seitenzahl: 320
• Erscheinungstermin: 24. März 2022
• Englisch
• Abmessung: 244mm x 170mm x 21mm
• Gewicht: 744g
• ISBN-13: 9781108843867
• ISBN-10: 1108843867
• Artikelnr.: 63197873

Inhaltsangabe

Preface and acknowledgements; 1. Opera and italianità in transnational and
global perspective: An introduction Axel Körner and Paulo Kühl; 2. Giving
singers a voice. The Italian opera company and the press in Rio de Janeiro
Fernando Santos BerçotI; 3. Nina d'Aubigny's 'Italian voice': A musical
projection screen in German national discourse Carolin Krahn; 4. Italian
opera and Creole identities: Manuel García in independent Mexico (1826 -
1829) Francesco Milella; 5. Italian opera in Vormärz Vienna: Gaetano
Donizetti, Bartolomeo Merelli and Habsburg cultural policies in the
mid-1830s Claudio Vellutini; 6. Southern exchanges: Italian opera in New
Orleans, 1836-42 Charlotte Bentley; 7. 'For a moment, I felt like I was
back in Italy:' Early south American experiences of Italian opera singers
(1840-1860) Joseì Manuel Izquierdo König; 8. Reimagining Rossini:
Obituaries as transnational narratives of Italian opera Arnold Jacobshagen;
9. From heaven and hell to the grail hall via Sant'Andrea della Valle:
Religious identity and the internationalisation of operatic styles in
liberal Italy Andrew Holden; 10. Arcadia undone: Teresa Carreño's 1887
Italian opera company in Caracas Ditlev Rindom; 11. Italian impresarios,
American Minstrels and Parsi theatre: Sonic networks and the negotiation of
opera in colonial South and Southeast Asia Rashna Darius Nicholson; 12.
German national identity and operatic italianità: Franchetti's and
Leoncavallo's operas on German myths Richard Erkens; 13. Fever in Belle
Époque Manaus: italianità at the Teatro Amazonas, 1897-1907 Rosie
McMahon-(Opera); 14. Between 'Sung Theatre' and Asakusa opera. In search of
italianità in early Japanese opera history Michael Facius; 15. Epilogue
Benjamin Walton.