As Italian opera gained an international following during the nineteenth century, the idea of operatic Italianness constantly evolved as a result of transnational exchanges between composers, promoters, musicians and audiences. This book explores the processes involved in constructing these shifting national identities and interprets their effects.
As Italian opera gained an international following during the nineteenth century, the idea of operatic Italianness constantly evolved as a result of transnational exchanges between composers, promoters, musicians and audiences. This book explores the processes involved in constructing these shifting national identities and interprets their effects.
Preface and acknowledgements; 1. Opera and italianità in transnational and global perspective: An introduction Axel Körner and Paulo Kühl; 2. Giving singers a voice. The Italian opera company and the press in Rio de Janeiro Fernando Santos BerçotI; 3. Nina d'Aubigny's 'Italian voice': A musical projection screen in German national discourse Carolin Krahn; 4. Italian opera and Creole identities: Manuel García in independent Mexico (1826 - 1829) Francesco Milella; 5. Italian opera in Vormärz Vienna: Gaetano Donizetti, Bartolomeo Merelli and Habsburg cultural policies in the mid-1830s Claudio Vellutini; 6. Southern exchanges: Italian opera in New Orleans, 1836-42 Charlotte Bentley; 7. 'For a moment, I felt like I was back in Italy:' Early south American experiences of Italian opera singers (1840-1860) Joseì Manuel Izquierdo König; 8. Reimagining Rossini: Obituaries as transnational narratives of Italian opera Arnold Jacobshagen; 9. From heaven and hell to the grail hall via Sant'Andrea della Valle: Religious identity and the internationalisation of operatic styles in liberal Italy Andrew Holden; 10. Arcadia undone: Teresa Carreño's 1887 Italian opera company in Caracas Ditlev Rindom; 11. Italian impresarios, American Minstrels and Parsi theatre: Sonic networks and the negotiation of opera in colonial South and Southeast Asia Rashna Darius Nicholson; 12. German national identity and operatic italianità: Franchetti's and Leoncavallo's operas on German myths Richard Erkens; 13. Fever in Belle Époque Manaus: italianità at the Teatro Amazonas, 1897-1907 Rosie McMahon-(Opera); 14. Between 'Sung Theatre' and Asakusa opera. In search of italianità in early Japanese opera history Michael Facius; 15. Epilogue Benjamin Walton.
Preface and acknowledgements; 1. Opera and italianità in transnational and global perspective: An introduction Axel Körner and Paulo Kühl; 2. Giving singers a voice. The Italian opera company and the press in Rio de Janeiro Fernando Santos BerçotI; 3. Nina d'Aubigny's 'Italian voice': A musical projection screen in German national discourse Carolin Krahn; 4. Italian opera and Creole identities: Manuel García in independent Mexico (1826 - 1829) Francesco Milella; 5. Italian opera in Vormärz Vienna: Gaetano Donizetti, Bartolomeo Merelli and Habsburg cultural policies in the mid-1830s Claudio Vellutini; 6. Southern exchanges: Italian opera in New Orleans, 1836-42 Charlotte Bentley; 7. 'For a moment, I felt like I was back in Italy:' Early south American experiences of Italian opera singers (1840-1860) Joseì Manuel Izquierdo König; 8. Reimagining Rossini: Obituaries as transnational narratives of Italian opera Arnold Jacobshagen; 9. From heaven and hell to the grail hall via Sant'Andrea della Valle: Religious identity and the internationalisation of operatic styles in liberal Italy Andrew Holden; 10. Arcadia undone: Teresa Carreño's 1887 Italian opera company in Caracas Ditlev Rindom; 11. Italian impresarios, American Minstrels and Parsi theatre: Sonic networks and the negotiation of opera in colonial South and Southeast Asia Rashna Darius Nicholson; 12. German national identity and operatic italianità: Franchetti's and Leoncavallo's operas on German myths Richard Erkens; 13. Fever in Belle Époque Manaus: italianità at the Teatro Amazonas, 1897-1907 Rosie McMahon-(Opera); 14. Between 'Sung Theatre' and Asakusa opera. In search of italianità in early Japanese opera history Michael Facius; 15. Epilogue Benjamin Walton.
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