Italian Opera in Global and Transnational Perspective
Herausgeber: Körner, Axel; Kühl, Paulo M
Italian Opera in Global and Transnational Perspective
Herausgeber: Körner, Axel; Kühl, Paulo M
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
As Italian opera gained an international following during the nineteenth century, the idea of operatic Italianness constantly evolved as a result of transnational exchanges between composers, promoters, musicians and audiences. This book explores the processes involved in constructing these shifting national identities and interprets their effects.
Andere Kunden interessierten sich auch für
- John Rosselli (University of Sussex)Singers of Italian Opera50,99 €
- The Cambridge Companion to the Magic Flute94,99 €
- John A. RiceMozart on the Stage55,99 €
- David CharltonPopular Opera in Eighteenth-Century France114,99 €
- Martin Nedbal (University of Kansas)Mozart's Operas and National Politics114,99 €
- Alan MontgomeryOpera Coaching58,99 €
- Downing A. Thomas (University of Iowa)Aesthetics of Opera in the Ancien Regime, 1647 178567,99 €
-
-
-
As Italian opera gained an international following during the nineteenth century, the idea of operatic Italianness constantly evolved as a result of transnational exchanges between composers, promoters, musicians and audiences. This book explores the processes involved in constructing these shifting national identities and interprets their effects.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 340
- Erscheinungstermin: 30. Mai 2024
- Englisch
- Abmessung: 244mm x 170mm x 18mm
- Gewicht: 590g
- ISBN-13: 9781108826884
- ISBN-10: 1108826881
- Artikelnr.: 70741794
- Verlag: Cambridge University Press
- Seitenzahl: 340
- Erscheinungstermin: 30. Mai 2024
- Englisch
- Abmessung: 244mm x 170mm x 18mm
- Gewicht: 590g
- ISBN-13: 9781108826884
- ISBN-10: 1108826881
- Artikelnr.: 70741794
Preface and acknowledgements; 1. Opera and italianità in transnational and
global perspective: An introduction Axel Körner and Paulo Kühl; 2. Giving
singers a voice. The Italian opera company and the press in Rio de Janeiro
Fernando Santos BerçotI; 3. Nina d'Aubigny's 'Italian voice': A musical
projection screen in German national discourse Carolin Krahn; 4. Italian
opera and Creole identities: Manuel García in independent Mexico (1826 -
1829) Francesco Milella; 5. Italian opera in Vormärz Vienna: Gaetano
Donizetti, Bartolomeo Merelli and Habsburg cultural policies in the
mid-1830s Claudio Vellutini; 6. Southern exchanges: Italian opera in New
Orleans, 1836-42 Charlotte Bentley; 7. 'For a moment, I felt like I was
back in Italy:' Early south American experiences of Italian opera singers
(1840-1860) Joseì Manuel Izquierdo König; 8. Reimagining Rossini:
Obituaries as transnational narratives of Italian opera Arnold Jacobshagen;
9. From heaven and hell to the grail hall via Sant'Andrea della Valle:
Religious identity and the internationalisation of operatic styles in
liberal Italy Andrew Holden; 10. Arcadia undone: Teresa Carreño's 1887
Italian opera company in Caracas Ditlev Rindom; 11. Italian impresarios,
American Minstrels and Parsi theatre: Sonic networks and the negotiation of
opera in colonial South and Southeast Asia Rashna Darius Nicholson; 12.
German national identity and operatic italianità: Franchetti's and
Leoncavallo's operas on German myths Richard Erkens; 13. Fever in Belle
Époque Manaus: italianità at the Teatro Amazonas, 1897-1907 Rosie
McMahon-(Opera); 14. Between 'Sung Theatre' and Asakusa opera. In search of
italianità in early Japanese opera history Michael Facius; 15. Epilogue
Benjamin Walton.
global perspective: An introduction Axel Körner and Paulo Kühl; 2. Giving
singers a voice. The Italian opera company and the press in Rio de Janeiro
Fernando Santos BerçotI; 3. Nina d'Aubigny's 'Italian voice': A musical
projection screen in German national discourse Carolin Krahn; 4. Italian
opera and Creole identities: Manuel García in independent Mexico (1826 -
1829) Francesco Milella; 5. Italian opera in Vormärz Vienna: Gaetano
Donizetti, Bartolomeo Merelli and Habsburg cultural policies in the
mid-1830s Claudio Vellutini; 6. Southern exchanges: Italian opera in New
Orleans, 1836-42 Charlotte Bentley; 7. 'For a moment, I felt like I was
back in Italy:' Early south American experiences of Italian opera singers
(1840-1860) Joseì Manuel Izquierdo König; 8. Reimagining Rossini:
Obituaries as transnational narratives of Italian opera Arnold Jacobshagen;
9. From heaven and hell to the grail hall via Sant'Andrea della Valle:
Religious identity and the internationalisation of operatic styles in
liberal Italy Andrew Holden; 10. Arcadia undone: Teresa Carreño's 1887
Italian opera company in Caracas Ditlev Rindom; 11. Italian impresarios,
American Minstrels and Parsi theatre: Sonic networks and the negotiation of
opera in colonial South and Southeast Asia Rashna Darius Nicholson; 12.
German national identity and operatic italianità: Franchetti's and
Leoncavallo's operas on German myths Richard Erkens; 13. Fever in Belle
Époque Manaus: italianità at the Teatro Amazonas, 1897-1907 Rosie
McMahon-(Opera); 14. Between 'Sung Theatre' and Asakusa opera. In search of
italianità in early Japanese opera history Michael Facius; 15. Epilogue
Benjamin Walton.
Preface and acknowledgements; 1. Opera and italianità in transnational and
global perspective: An introduction Axel Körner and Paulo Kühl; 2. Giving
singers a voice. The Italian opera company and the press in Rio de Janeiro
Fernando Santos BerçotI; 3. Nina d'Aubigny's 'Italian voice': A musical
projection screen in German national discourse Carolin Krahn; 4. Italian
opera and Creole identities: Manuel García in independent Mexico (1826 -
1829) Francesco Milella; 5. Italian opera in Vormärz Vienna: Gaetano
Donizetti, Bartolomeo Merelli and Habsburg cultural policies in the
mid-1830s Claudio Vellutini; 6. Southern exchanges: Italian opera in New
Orleans, 1836-42 Charlotte Bentley; 7. 'For a moment, I felt like I was
back in Italy:' Early south American experiences of Italian opera singers
(1840-1860) Joseì Manuel Izquierdo König; 8. Reimagining Rossini:
Obituaries as transnational narratives of Italian opera Arnold Jacobshagen;
9. From heaven and hell to the grail hall via Sant'Andrea della Valle:
Religious identity and the internationalisation of operatic styles in
liberal Italy Andrew Holden; 10. Arcadia undone: Teresa Carreño's 1887
Italian opera company in Caracas Ditlev Rindom; 11. Italian impresarios,
American Minstrels and Parsi theatre: Sonic networks and the negotiation of
opera in colonial South and Southeast Asia Rashna Darius Nicholson; 12.
German national identity and operatic italianità: Franchetti's and
Leoncavallo's operas on German myths Richard Erkens; 13. Fever in Belle
Époque Manaus: italianità at the Teatro Amazonas, 1897-1907 Rosie
McMahon-(Opera); 14. Between 'Sung Theatre' and Asakusa opera. In search of
italianità in early Japanese opera history Michael Facius; 15. Epilogue
Benjamin Walton.
global perspective: An introduction Axel Körner and Paulo Kühl; 2. Giving
singers a voice. The Italian opera company and the press in Rio de Janeiro
Fernando Santos BerçotI; 3. Nina d'Aubigny's 'Italian voice': A musical
projection screen in German national discourse Carolin Krahn; 4. Italian
opera and Creole identities: Manuel García in independent Mexico (1826 -
1829) Francesco Milella; 5. Italian opera in Vormärz Vienna: Gaetano
Donizetti, Bartolomeo Merelli and Habsburg cultural policies in the
mid-1830s Claudio Vellutini; 6. Southern exchanges: Italian opera in New
Orleans, 1836-42 Charlotte Bentley; 7. 'For a moment, I felt like I was
back in Italy:' Early south American experiences of Italian opera singers
(1840-1860) Joseì Manuel Izquierdo König; 8. Reimagining Rossini:
Obituaries as transnational narratives of Italian opera Arnold Jacobshagen;
9. From heaven and hell to the grail hall via Sant'Andrea della Valle:
Religious identity and the internationalisation of operatic styles in
liberal Italy Andrew Holden; 10. Arcadia undone: Teresa Carreño's 1887
Italian opera company in Caracas Ditlev Rindom; 11. Italian impresarios,
American Minstrels and Parsi theatre: Sonic networks and the negotiation of
opera in colonial South and Southeast Asia Rashna Darius Nicholson; 12.
German national identity and operatic italianità: Franchetti's and
Leoncavallo's operas on German myths Richard Erkens; 13. Fever in Belle
Époque Manaus: italianità at the Teatro Amazonas, 1897-1907 Rosie
McMahon-(Opera); 14. Between 'Sung Theatre' and Asakusa opera. In search of
italianità in early Japanese opera history Michael Facius; 15. Epilogue
Benjamin Walton.