Italy was the birthplace of opera. In this authoritative and accessible account of Italian opera, David Kimbell introduces those who, over three hundred years, created not only a national tradition but the central tradition from which others have drawn their inspiration. He traces the history of Italian opera from its origins in the humanism of the Renaissance to Puccini in the early twentieth century, drawing attention not only to musical issues but also to the social, literary, and philosophical ideas that have shaped modern Italian civilization.
Italy was the birthplace of opera. In this authoritative and accessible account of Italian opera, David Kimbell introduces those who, over three hundred years, created not only a national tradition but the central tradition from which others have drawn their inspiration. He traces the history of Italian opera from its origins in the humanism of the Renaissance to Puccini in the early twentieth century, drawing attention not only to musical issues but also to the social, literary, and philosophical ideas that have shaped modern Italian civilization.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
List of illustrations Preface A note on Italian prosody Map Introduction: the Italianness of Italian opera Part I. The Origins of Opera: 1. The Renaissance intermedi 2. The elements of early opera 3. The beginnings of opera 4. Monteverdi's Orfeo Part II. The Venetian Hegemony: 5. Opera in seventeenth-century Rome 6. Opera comes to Venice 7. The nature of Venetian opera 8. The development of the musical language 9. Cesti's L'Orontea Part III. Opera Seria: 10. The dramma per musica 11. 'Perfection and public favour' 12. The performance of opera seria 13. The collapse of the Metastasian ideal 14. Opera seria in an age of ferment 15. A half-century of L'Olimpiade Part IV. The Tragedy of Comedy: 16. The commedia dell'arte 17. Contrascene and intermezzi 18. The flowering of comic opera in Naples and Venice 19. Apogee and decline 20. Il barbiere di Siviglia: Paisiello's and Rossini's settings Part V. Romantic Opera: 21. Italian Romanticism 22. Dramatic themes: the libretto 23. The life of the theatre 24. The musical language of Italian Romantic opera 25. Rossini in Naples 26. A franker Romanticism 27. The young Verdi 28. Bellini's Norma Part VI. Cosmopolitanism and Decadence: 29. Italian grand opera 30. Scapigliati and bohemians 31. Verdi and Boito 32. Verismo Personalia Notes Bibliography Index.
List of illustrations Preface A note on Italian prosody Map Introduction: the Italianness of Italian opera Part I. The Origins of Opera: 1. The Renaissance intermedi 2. The elements of early opera 3. The beginnings of opera 4. Monteverdi's Orfeo Part II. The Venetian Hegemony: 5. Opera in seventeenth-century Rome 6. Opera comes to Venice 7. The nature of Venetian opera 8. The development of the musical language 9. Cesti's L'Orontea Part III. Opera Seria: 10. The dramma per musica 11. 'Perfection and public favour' 12. The performance of opera seria 13. The collapse of the Metastasian ideal 14. Opera seria in an age of ferment 15. A half-century of L'Olimpiade Part IV. The Tragedy of Comedy: 16. The commedia dell'arte 17. Contrascene and intermezzi 18. The flowering of comic opera in Naples and Venice 19. Apogee and decline 20. Il barbiere di Siviglia: Paisiello's and Rossini's settings Part V. Romantic Opera: 21. Italian Romanticism 22. Dramatic themes: the libretto 23. The life of the theatre 24. The musical language of Italian Romantic opera 25. Rossini in Naples 26. A franker Romanticism 27. The young Verdi 28. Bellini's Norma Part VI. Cosmopolitanism and Decadence: 29. Italian grand opera 30. Scapigliati and bohemians 31. Verdi and Boito 32. Verismo Personalia Notes Bibliography Index.
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