This monograph probes the complex artistic contacts between Italy and Cyprus, c.1200-1400. The book, which falls within the wider discourse on Italian and Byzantine visual cultures, historicizes these contacts and contributes to a broader understanding of cultural production, transmission and convergence in the medieval Mediterranean.
This monograph probes the complex artistic contacts between Italy and Cyprus, c.1200-1400. The book, which falls within the wider discourse on Italian and Byzantine visual cultures, historicizes these contacts and contributes to a broader understanding of cultural production, transmission and convergence in the medieval Mediterranean.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Anthi Andronikou is British Academy Postdoctoral Fellow at the University of St Andrews. A recipient of fellowships and awards from Princeton University, the British School at Rome, Dumbarton Oaks Research Library and Collection, and the Dranakis Prize, she has co-edited (with Peter Humfrey) The Pittas Collection:Mythological Paintings and Sculptures.
Inhaltsangabe
1. A prosopography of encounters 2. Southern Italy, Cyprus and the Holy Land: a tale of parallel aesthetics? 3. Deconstructing myths: transmutations of Madonna and Panagia between Italy and Cyprus 4. Thomas Aquinas, the Dominicans and artistic patronage in trecento Cyprus 5. The peregrinations of a Cypriot king in Italian material culture, 1362-1368 6. Art in the interstices: hybrid Italian panels and Cypriot nobility.
1. A prosopography of encounters 2. Southern Italy, Cyprus and the Holy Land: a tale of parallel aesthetics? 3. Deconstructing myths: transmutations of Madonna and Panagia between Italy and Cyprus 4. Thomas Aquinas, the Dominicans and artistic patronage in trecento Cyprus 5. The peregrinations of a Cypriot king in Italian material culture, 1362-1368 6. Art in the interstices: hybrid Italian panels and Cypriot nobility.
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