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Italy in Early American Cinema offers readings of early films that pay close attention to how landscape representations that were related to narrative settings and filmmaking locations conveyed distinct ideas about racial difference and national destiny.

Produktbeschreibung
Italy in Early American Cinema offers readings of early films that pay close attention to how landscape representations that were related to narrative settings and filmmaking locations conveyed distinct ideas about racial difference and national destiny.
Autorenporträt
Giorgio Bertellini is Assistant Professor of Screen Arts and Cultures and of Romance Languages and Literatures at the University of Michigan. He is author of Emir Kusturica. His edited and co-edited volumes include The Cinema of Italy and (with Richard Abel and Rob King) Early Cinema and the "National."