This book tells the history of the London black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding Londonâ s precious, embattled multiculture. -- .
This book tells the history of the London black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding Londonâ s precious, embattled multiculture. -- .Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Formerly a music journalist and editor of New Humanist magazine, Caspar Melville is a lecturer at SOAS, University of London, where he convenes the MA in Global Creative and Cultural Industries
Inhaltsangabe
List of figures List of plates Preface Acknowledgements Introduction: London's sonic space 1 Hostile environment: London's racial geography, 1960-80 2 Warehouse parties, rare groove and the diversion of space 3 From Ibiza to London: Brixton acid and rave 4 'A London Sum'ting Dis': diaspora remixed in the urban jungle Epilogue: music and the multicultural city Appendix: interviews for the book Bibliography
List of figures List of plates Preface Acknowledgements Introduction: London's sonic space 1 Hostile environment: London's racial geography, 1960-80 2 Warehouse parties, rare groove and the diversion of space 3 From Ibiza to London: Brixton acid and rave 4 'A London Sum'ting Dis': diaspora remixed in the urban jungle Epilogue: music and the multicultural city Appendix: interviews for the book Bibliography
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