This book tells the history of the London black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London's precious, embattled multiculture.
This book tells the history of the London black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London's precious, embattled multiculture.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Formerly a music journalist and editor of New Humanist magazine, Caspar Melville is a lecturer at SOAS, University of London, where he convenes the MA in Global Creative and Cultural Industries
Inhaltsangabe
Introduction: London's sonic space 1 Hostile environment: London's racial geography, 1960-80 2 Warehouse parties, rare groove and the diversion of space 3 From Ibiza to London: Brixton acid and rave 4 'A London Sum'ting Dis': diaspora remixed in the urban jungle Epilogue: music and the multicultural city Appendix: interviews for the book Bibliography
Introduction: London's sonic space 1 Hostile environment: London's racial geography, 1960-80 2 Warehouse parties, rare groove and the diversion of space 3 From Ibiza to London: Brixton acid and rave 4 'A London Sum'ting Dis': diaspora remixed in the urban jungle Epilogue: music and the multicultural city Appendix: interviews for the book Bibliography
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