This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
James Gibbons Huneker was an American art, literary, music, and theatrical reviewer. A colorful individual and an ambitious writer, he was "an American with a great mission," in the words of his friend, the critic Benjamin De Casseres, and that mission was to educate Americans about the best cultural achievements, native and European, of his day. From 1892 to 1899, he was the husband of sculptor Clio Hinton. Huneker was born in Philadelphia. His parents forced him to study law, but he realized that a legal career was not for him; he was enthusiastic about music and writing, and hoped to one day be a concert pianist and novelist. Huneker and his wife and child returned to Philadelphia the next year, but he was never content in his hometown and longed for the larger stage of New York, where he wanted to try his luck as a journalist while continuing his musical studies. He relocated to New York City in 1886, abandoning his wife and child. He scraped by providing piano lessons and lived a downtown bohemian lifestyle while studying with Franz Liszt's student Rafael Joseffy, who became a friend and mentor. (Huneker's musical gods were Liszt, Chopin, and Brahms. In 1900, he released a biography of Chopin and wrote a commentary on Chopin's complete works for Schirmer's Music Publishing Company.
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