Ivory Black: Volume 62 - Duren, Brian
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In 2005, after four months in hospitals, Dick Rayburn returns home with a limp, a disfigured face, and pain. Around tense conversations between him and his wife, Valerie, concerning their absent son, Jamie, the narrative weaves memories triggered by objects in the house. An old self-portrait draws him back to his childhood and the studio of his father, who trained Dick to be an artist, while an article critical of the Iraq War, by the journalist to whom he was engaged when they were graduate students, resurrects the person he was and the woman he loved. Dick relives his evolution from a young…mehr

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Produktbeschreibung
In 2005, after four months in hospitals, Dick Rayburn returns home with a limp, a disfigured face, and pain. Around tense conversations between him and his wife, Valerie, concerning their absent son, Jamie, the narrative weaves memories triggered by objects in the house. An old self-portrait draws him back to his childhood and the studio of his father, who trained Dick to be an artist, while an article critical of the Iraq War, by the journalist to whom he was engaged when they were graduate students, resurrects the person he was and the woman he loved. Dick relives his evolution from a young artist and left-wing university student to the war profiteer Valerie blames for Jamie being in Iraq, and cannot stop reliving the horror that he witnessed the day he flew into Fallujah and was shot down as his helicopter left the city. To cope with the memories that haunt him, Dick returns to his passion for painting. He paints what he saw in Fallujah, the person he feels he has become, and the loved ones he has lost. The images emerge from a deep, dark background, the principal ingredient of which is ivory black.
Autorenporträt
Brian Duren was born and raised in Minnesota. A former French professor and university administrator, he holds doctorates from the University of Paris and the University of Minnesota. After retiring from academe, Brian launched a new career as an author of literary fiction. He writes novels with an introspective quality about nomadic characters who travel through time and space, always returning to what haunts them. His first novel, Whiteout, praised by the St. Paul Pioneer Press as a "stunning debut novel, worthy of national recognition," won the Independent Publisher Gold Medal for Midwestern Fiction. Peter Geye lauded Brian's second book, Ivory Black, as "a novel of profound elegance," while Junot Diaz described his soon-to-be released third novel, The Gravity of Love, as "a magnificent haunting duet of grief, absence, and the unshakable bonds of family ..." Brian is working on his fourth novel, Day Brings Back the Night.