Bach's Johannine Theology: The St. John Passion and the Cantatas for Spring 1725 is a fertile examination of this group of fourteen surviving liturgical works. Renowned Bach scholar Eric Chafe investigates Bach's theology with the composer's St. John Passion, concentrating on its first and last versions.
Bach's Johannine Theology: The St. John Passion and the Cantatas for Spring 1725 is a fertile examination of this group of fourteen surviving liturgical works. Renowned Bach scholar Eric Chafe investigates Bach's theology with the composer's St. John Passion, concentrating on its first and last versions.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Eric T. Chafe is Victor and Gwendolyn Beinfield Professor of Music at Brandeis University, where he has taught since 1982. His primary research areas are the music of J. S. Bach, on which he has published several books and numerous articles, Wagner (a book on Tristan und Isolde), and Monteverdi. His books have won the AMS Kinkeldey Award and the ASCAP Deems Taylor Award.
Inhaltsangabe
* Contents * PART ONE: INTRODUCTORY THEMES * I Spring 1724 and 1725 * II The Ordering of Salvation: Aspects of Scripture and the Liturgical Year * III Johannine Themes * PART TWO: THE ST. JOHN PASSION * IV The St. John Passion: Introduction and Part One * V The Concept of Ambitus in the St. John Passion * VI Jesus' Trial: John, Francke, Bach * VII Jesus' Death and Burial * VIII The Theologia Crucis and the Passion's Symbolic Structure * PART THREE: THE CANTATAS FOR SPRING 1725 * IX Easter through Misericordias: Cantatas 249, 6, 42 and 85 * X Jubilate to Ascension Day: Cantatas 103, 108, 87 and 128 * XI Instrumental Characteristics * XII Exaudi and Pentecost: Cantatas 183, 74, 68 and 175 * XIII Trinity Sunday: Cantata 176, "Es ist ein trotzig und verzagt Ding" * XIV Spring 1725: The Cantatas and the Shape of the Liturgy
* Contents * PART ONE: INTRODUCTORY THEMES * I Spring 1724 and 1725 * II The Ordering of Salvation: Aspects of Scripture and the Liturgical Year * III Johannine Themes * PART TWO: THE ST. JOHN PASSION * IV The St. John Passion: Introduction and Part One * V The Concept of Ambitus in the St. John Passion * VI Jesus' Trial: John, Francke, Bach * VII Jesus' Death and Burial * VIII The Theologia Crucis and the Passion's Symbolic Structure * PART THREE: THE CANTATAS FOR SPRING 1725 * IX Easter through Misericordias: Cantatas 249, 6, 42 and 85 * X Jubilate to Ascension Day: Cantatas 103, 108, 87 and 128 * XI Instrumental Characteristics * XII Exaudi and Pentecost: Cantatas 183, 74, 68 and 175 * XIII Trinity Sunday: Cantata 176, "Es ist ein trotzig und verzagt Ding" * XIV Spring 1725: The Cantatas and the Shape of the Liturgy
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