Provides a fresh and global perspective on the works and influence of a nineteenth-century musical and theatrical phenomenon.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Laurence Senelick is Fletcher Professor of Drama and Oratory at Tufts University, Massachusetts, and a Fellow of the American Academy of Arts and Sciences. His numerous books include the award-winning Gordon Craig's Moscow 'Hamlet' (1982), The Age and Stage of George L. Fox (1988), The Changing Room: Sex, Drag, and Theatre (2000), and The Chekhov Theatre: A Century of the Plays in Performance (Cambridge, 2000).
Inhaltsangabe
Introduction 1. The French connection 2. Wagner, Nietzsche, and the polemics of opera 3. Tales from the Vienna stage 4. Against the Victorian grain 5. The discovery of America 6. Caviar with the champagne 7. Doing the Continental 8. South of the equator, east of Suez 9. A Max Reinhardt production 10. Red stars 11. French without tears 12. English as she is spoke 13. Rebirth from the ruins 14. Conclusion: taking Offenbach seriously.
Introduction 1. The French connection 2. Wagner, Nietzsche, and the polemics of opera 3. Tales from the Vienna stage 4. Against the Victorian grain 5. The discovery of America 6. Caviar with the champagne 7. Doing the Continental 8. South of the equator, east of Suez 9. A Max Reinhardt production 10. Red stars 11. French without tears 12. English as she is spoke 13. Rebirth from the ruins 14. Conclusion: taking Offenbach seriously.
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