Das Jahrbuch, das ab dem Jahrgang 2006 beim Max Niemeyer Verlag erscheint (vorher Metzler), präsentiert Beiträge zu Jean Paul und seinem Werk sowie Aufsätze zur Literatur, den Künsten, der Kultur und Ästhetik seiner Zeit. In regelmäßigen Abständen werden Leseproben aus bisher unveröffentlichten Texten des Nachlasses mitgeteilt und Berichte über den Fortgang der historisch-kritischen Edition gegeben.
Band 41 des Jahrbuchs enthält die Beiträge einer editionswissenschaftlichen Tagung vom März 2005. Das Thema der "Textwerkstatt" beschreibt die Edition und ihre Gegenstände gleichermaßen: Es geht um eine editionsphilologische Arbeit an und mit Texten, welche die literarische Schreibarbeit des Autors reflektiert. Die Werkstatt-Metapher zielt also auf ein Konzept von Edition, das nicht nur Texte konstituiert, sondern in seiner Methode die Schreibverfahren ihres Autors mitabzubilden sucht. Die unterschiedlichen Bereiche der Jean-Paul-Edition treten hier in einen Austausch mit anderen Klassiker-Editionen.
Yearbook of the Jean Paul Society. Vol. 41: Text Workshop - The historical-critical Jean Paul edition in the context of genetic editing.
The Yearbook contains articles on Jean Paul and his works, as well as essays on the literature, the arts, the culture, and the aesthetics of his age. At regular intervals it also includes samples of hitherto unpublished works left unedited after the author's death and also reports on the progress of the historical-critical edition. The 2006 edition is special in that it contains the papers delivered at the conference >Text Workshop - The historical-critical Jean Paul edition in the context of genetic editing.< The editors of this issue are Barbara Hunfeld and Helmut Pfotenhauer.
Yearbook Vol. 41 contains the contributions to a conference on scholarly editing held in March 2005. The title >Text Workshop< refers both to the edition itself and to its objectives. Of central import is philological editing work on and with texts designed that sets out to reflect the literary procedures employed by the author in writing his works. Accordingly, the >workshop< metaphor stands for an approach to editing that not only establishes the most reliable version of the texts involved but also systematically attempts to delineate the author's creative procedures. The experiences of other historical-critical editions with the problems posed by genetic editing are drawn upon to cast a searching light on the >text workshops< of authors and editors.
Band 41 des Jahrbuchs enthält die Beiträge einer editionswissenschaftlichen Tagung vom März 2005. Das Thema der "Textwerkstatt" beschreibt die Edition und ihre Gegenstände gleichermaßen: Es geht um eine editionsphilologische Arbeit an und mit Texten, welche die literarische Schreibarbeit des Autors reflektiert. Die Werkstatt-Metapher zielt also auf ein Konzept von Edition, das nicht nur Texte konstituiert, sondern in seiner Methode die Schreibverfahren ihres Autors mitabzubilden sucht. Die unterschiedlichen Bereiche der Jean-Paul-Edition treten hier in einen Austausch mit anderen Klassiker-Editionen.
Yearbook of the Jean Paul Society. Vol. 41: Text Workshop - The historical-critical Jean Paul edition in the context of genetic editing.
The Yearbook contains articles on Jean Paul and his works, as well as essays on the literature, the arts, the culture, and the aesthetics of his age. At regular intervals it also includes samples of hitherto unpublished works left unedited after the author's death and also reports on the progress of the historical-critical edition. The 2006 edition is special in that it contains the papers delivered at the conference >Text Workshop - The historical-critical Jean Paul edition in the context of genetic editing.< The editors of this issue are Barbara Hunfeld and Helmut Pfotenhauer.
Yearbook Vol. 41 contains the contributions to a conference on scholarly editing held in March 2005. The title >Text Workshop< refers both to the edition itself and to its objectives. Of central import is philological editing work on and with texts designed that sets out to reflect the literary procedures employed by the author in writing his works. Accordingly, the >workshop< metaphor stands for an approach to editing that not only establishes the most reliable version of the texts involved but also systematically attempts to delineate the author's creative procedures. The experiences of other historical-critical editions with the problems posed by genetic editing are drawn upon to cast a searching light on the >text workshops< of authors and editors.