Cleo Hanaway-Oakley reappraises the lines of influence said to exist between Joyce's writing and early cinema, and provides an alternative to previous psychoanalytic readings of Joyce and film. By putting Joyce's literary work into dialogue with both early cinema and phenomenology, this book elucidates and enlivens literature, film, and philosophy.
Cleo Hanaway-Oakley reappraises the lines of influence said to exist between Joyce's writing and early cinema, and provides an alternative to previous psychoanalytic readings of Joyce and film. By putting Joyce's literary work into dialogue with both early cinema and phenomenology, this book elucidates and enlivens literature, film, and philosophy.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Cleo Hanaway-Oakley was awarded her doctorate from the University of Oxford in 2013 after having completed a BA in English and Philosophy and an MA in Twentieth-century Literature at the University of Leeds. Her work is concerned with the interrelations between literature, philosophy, film, culture, and science. She is Founder and Chair of Oxford Phenomenology Network, an international group of interdisciplinary scholars and practitioners interested in all aspects of phenomenological thought and practice. She currently works at the University of Oxford in the role of Knowledge Exchange Facilitator and as a tutor at various Oxford colleges.
Inhaltsangabe
A Shared Enterprise: Joyce, Phenomenology, Film 1: Reciprocal Seeing and Embodied Subjectivity 2: Modern Thought and the Phenomenology of Film 3: Machine-Humans and Body-Subjects 4: Tactile Vision and Enworlded Being Fin: Sounding Out Bibliography
A Shared Enterprise: Joyce, Phenomenology, Film 1: Reciprocal Seeing and Embodied Subjectivity 2: Modern Thought and the Phenomenology of Film 3: Machine-Humans and Body-Subjects 4: Tactile Vision and Enworlded Being Fin: Sounding Out Bibliography
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