This volume opens up the music and conceptual world of Sir James MacMillan. In it an international team of scholars analyses a broad selection of MacMillan's works. It engages with central features of MacMillan's compositions, especially the intersections between religion, spirituality and compositional approaches.
This volume opens up the music and conceptual world of Sir James MacMillan. In it an international team of scholars analyses a broad selection of MacMillan's works. It engages with central features of MacMillan's compositions, especially the intersections between religion, spirituality and compositional approaches.
Foreword Sir James MacMillan; Introduction George Parsons and Robert Sholl; 1. The struggle with conviction: a trio of string quartets Arnold Whittall; 2. Conflicting modernities and a modernity of conflict in James MacMillan's The World's Ransoming George Parsons; 3. In Memoriam: James MacMillan's violin concerto as modernist lament Chelle Stearns; 4. Reincarnating 'The Tryst': the endurance of a simple love song Dominic Wells; 5. Exquisite violence: imagery, embodiment and transformation in MacMillan Robert Sholl; 6. Making the familiar as unfamiliar: MacMillan's St Luke Passion Jeremy S. Begbie; 7. MacMillan's 'mission' and the Passion settings Richard E. McGregor; 8. A cluster of gathering shadows: exposition and exegesis in Seven Last Words from the Cross Andrew Shenton; 9. James MacMillan's The Sun Danced: Mary, miracle, and mysticism Peter Bannister; 10. 'Shrouded in doubts and fears': the liturgical music of James MacMillan Phillip Cooke; 11. Containing chaos? Aspects of medieval liturgy in James MacMillan's Visitatio Sepulchri Lisa Colton.
Foreword Sir James MacMillan; Introduction George Parsons and Robert Sholl; 1. The struggle with conviction: a trio of string quartets Arnold Whittall; 2. Conflicting modernities and a modernity of conflict in James MacMillan's The World's Ransoming George Parsons; 3. In Memoriam: James MacMillan's violin concerto as modernist lament Chelle Stearns; 4. Reincarnating 'The Tryst': the endurance of a simple love song Dominic Wells; 5. Exquisite violence: imagery, embodiment and transformation in MacMillan Robert Sholl; 6. Making the familiar as unfamiliar: MacMillan's St Luke Passion Jeremy S. Begbie; 7. MacMillan's 'mission' and the Passion settings Richard E. McGregor; 8. A cluster of gathering shadows: exposition and exegesis in Seven Last Words from the Cross Andrew Shenton; 9. James MacMillan's The Sun Danced: Mary, miracle, and mysticism Peter Bannister; 10. 'Shrouded in doubts and fears': the liturgical music of James MacMillan Phillip Cooke; 11. Containing chaos? Aspects of medieval liturgy in James MacMillan's Visitatio Sepulchri Lisa Colton.
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