Sanjoy Ganguly

Jana Sanskriti

Forum Theatre and Democracy in India

• Broschiertes Buch

Produktbeschreibung

Jana Sanskriti Centre for the Theatre of the Oppressed, based in West Bengal, is probably the largest and longest lasting Forum Theatre operation in the world. It was considered by Augusto Boal to be the chief exponent of his methodology outside of its native Brazil. This book is a unique first-hand account - by the group's artistic director Sanjoy Ganguly - of Jana Sanskriti's growth and development since its founding in 1985, which has resulted in a national Forum Theatre network throughout India. Ganguly describes the plays, people and places that have formed this unique operation and discusses its contribution to the wider themes espoused by Forum Theatre. Ganguly charts and reflects on the practice of theatre as politics, developing an intriguing and persuasive case for Forum Theatre and its role in provoking responsible action. His combination of anecdotal insight and lucid discussion of Boal's practice offers a vision of far-reaching transformation in politics and civil society.

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Produktdetails

• Verlag: Routledge
• Seitenzahl: 184
• Erscheinungstermin: 26. April 2010
• Englisch
• Abmessung: 216mm x 140mm x 10mm
• Gewicht: 240g
• ISBN-13: 9780415577526
• ISBN-10: 0415577527
• Artikelnr.: 28347701

Autorenporträt

Sanjoy Ganguly

Inhaltsangabe

Introduction 1. Celebrating the Rehearsal of Revolution - A historical
profile of Jana Sanskriti Initial Phases: in the villages Identity or
Function? The question of empowerment: Phulmani Propaganda or Collaboration
Women and Forum 1: Shonar Meye Forum, Acting and Action: Shonar Meye in
Jaipur Women and Forum 2: Forum in the capital city The political power of
forum: Amra Jekhaney Dariye 2. Boal's Theatre - The recognition of resource
Bakam, an illiterate educated man Emotional Intelligence: volition and
desire A parallel from Rio 3. Boal: Poetics as Politics Activism or Human
Sympathy? Active Intelligence Agitprop or Liberation? Rationality and
Sympathy: The open mind Politics, Action and Acting The Interaction of the
Senses: Activating power 4. Theatre as Rehearsal of Future Political Action
Forum in Rural West Bengal: Understanding social structures King Claudiuses
don't Change, Teachers Do: Power and its applications Towards Rational
Collective Action 5. Beyond West Bengal: Other Indian scenarios Delhi
Maharashtra 6. Beyond India: Workshop diary Germany: Berlin France:
Manosque Germany: Wertpfuhl France: Lille Germany: Halle Kirghistan Are you
a Feminist? Bangladesh: Dakar An Alternative Strategy 7. The Politics of
Collective Thinking: Scripting power Forum Process and the Politics of
Debate The Politics of Context 8. Aesthetics and Ethics: Shaping collective
practice Theatre is a Composite Art Creative Relationship: Aspects of
process Space for Engagement: Form and shape 9. Reflections and
Prospectives A Rehearsal for Internal Revolution Tactics and Strategies
Actors' Personal Growth Conclusion Appendix