Jane Austenâ s Men is among the first full-length works to explore Austen's male protagonists as textual constructions of masculinity. This book illuminates in new ways Jane Austenâ s ambitions for the novel, and the political power of the courtship romance genre in the Romantic era.
Jane Austenâ s Men is among the first full-length works to explore Austen's male protagonists as textual constructions of masculinity. This book illuminates in new ways Jane Austenâ s ambitions for the novel, and the political power of the courtship romance genre in the Romantic era.
Sarah Ailwood is Assistant Professor at the University of Canberra. She completed her PhD on Jane Austen and masculinity at the University of Wollongong, and has published essays and articles on Austen's men. She co-edited Katherine Mansfield and Literary Influence (EUP, 2015) and has wide research interests in women's writing, particularly historical and contemporary life narrative and legal experience.
Inhaltsangabe
Introduction: Rewriting Masculinity in the Romantic Era Chapter One The men of 'real Life': Educating the Reader in Sense and Sensibility Chapter Two "I will prove myself a man": Northanger Abbey Chapter Three 'A man violently in love': Pride and Prejudice Chapter Four "You will make him everything": Masculine Redemption in Mansfield Park Chapter Five "A disgrace to the name of man": Emma, the National Tale and the Historical Novel Chapter Six 'Feelings glad to burst their usual restraints': Persuasion Conclusion: Sanditon, Unfinished Work and New Directions
Introduction: Rewriting Masculinity in the Romantic Era Chapter One The men of 'real Life': Educating the Reader in Sense and Sensibility Chapter Two "I will prove myself a man": Northanger Abbey Chapter Three 'A man violently in love': Pride and Prejudice Chapter Four "You will make him everything": Masculine Redemption in Mansfield Park Chapter Five "A disgrace to the name of man": Emma, the National Tale and the Historical Novel Chapter Six 'Feelings glad to burst their usual restraints': Persuasion Conclusion: Sanditon, Unfinished Work and New Directions
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