Jane Campion's The Piano is one of the most unusual love stories in the history of cinema. In six essays, specially commissioned for this volume, an international team of scholars examines the film from a variety of critical perspectives.
Jane Campion's The Piano is one of the most unusual love stories in the history of cinema. In six essays, specially commissioned for this volume, an international team of scholars examines the film from a variety of critical perspectives.
Introduction: 'A Strange Heritage': from colonisation to transformation? Harriet Margolis 1. Music in The Piano Claudia Gorbman 2. The last patriarch Ann Hardy 3. The Piano, the animus, and colonial experience John Izod 4. Ebony and ivory: constructions of Maori in The Piano Leonie Pihama 5. Foreign tunes? Gender and nationality in four countries' reception of The Piano Stephen Crofts.
Introduction: 'A Strange Heritage': from colonisation to transformation? Harriet Margolis 1. Music in The Piano Claudia Gorbman 2. The last patriarch Ann Hardy 3. The Piano, the animus, and colonial experience John Izod 4. Ebony and ivory: constructions of Maori in The Piano Leonie Pihama 5. Foreign tunes? Gender and nationality in four countries' reception of The Piano Stephen Crofts.
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