This book examines Japanese horror films and their American remakes. Focusing on the textual transformations that occur when texts cross cultural boundaries, this study probes the underlying socio-cultural, aesthetic, thematic and narrative complexities that organize each culture's representations of horror / the supernatural to encourage a richer appreciation of these films.
This book examines Japanese horror films and their American remakes. Focusing on the textual transformations that occur when texts cross cultural boundaries, this study probes the underlying socio-cultural, aesthetic, thematic and narrative complexities that organize each culture's representations of horror / the supernatural to encourage a richer appreciation of these films.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Associate Professor Valerie Wee teaches film and media studies in the Department of English Language and Literature at the National University of Singapore.
Inhaltsangabe
Introduction: The Horror, The Horror... 1.Haunting Specters: A History of Seeing Ghosts in Japanese and American Horror Films 2. Hollywood and Japan, Comparing Supernatural Constructions: Cultural Ideologies, Social Anxieties, and Aesthetic Tendencies 3.Terrifying Images: Visual Aesthetics and Ways of Seeing in Ringu and The Ring 4."Oh, Mother!": Single Mothers and Abandoned Daughters in Honoguarai mizu no soko kara and Dark Water 5. "Father Knows Best?" Patriarchal Anxieties and Familial Dysfunction in Ju-On and The Grudge 6. The End of the World as We Know It: Apocalyptic Visions in Kairo and Pulse 7. (Post-)Modern Anxieties, Techno-Horror, and Technophobia in Chakushin Ari and One Missed Call 8. Conclusion
Introduction: The Horror, The Horror... 1.Haunting Specters: A History of Seeing Ghosts in Japanese and American Horror Films 2. Hollywood and Japan, Comparing Supernatural Constructions: Cultural Ideologies, Social Anxieties, and Aesthetic Tendencies 3.Terrifying Images: Visual Aesthetics and Ways of Seeing in Ringu and The Ring 4."Oh, Mother!": Single Mothers and Abandoned Daughters in Honoguarai mizu no soko kara and Dark Water 5. "Father Knows Best?" Patriarchal Anxieties and Familial Dysfunction in Ju-On and The Grudge 6. The End of the World as We Know It: Apocalyptic Visions in Kairo and Pulse 7. (Post-)Modern Anxieties, Techno-Horror, and Technophobia in Chakushin Ari and One Missed Call 8. Conclusion
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