This book uncovers and explains the ways by which politics is naturalized and denaturalized, and familiarized and de-familiarized through popular media.
This book uncovers and explains the ways by which politics is naturalized and denaturalized, and familiarized and de-familiarized through popular media.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jennifer Coates is a senior lecturer in Japanese studies in the School of East Asian Studies, University of Sheffield, UK. Eyal Ben-Ari is director of the Kinneret Center for Society, Security and Peace, Israel.
Inhaltsangabe
Introduction JENNIFER COATES AND EYAL BEN- ARI SECTION A Historical contexts 1 A question of form: dissent and the nouvelle vagueISOLDE STANDISH 2 Negotiating sex, the bizarre, and politics: the Abe Sada incident in lms KATSUYUKI HIDAKA 3 The four lives of Matsugor the Lawless: agency, constraint, and what is "worthy" of lm censorship in trans-war Japan IRIS HAUKAMP 4 Tarzan and Japan: racial portraits of a nation in Boy Kenya DEANNA T. NARDY SECTION B Critique, contestation, and resistance 5 Down in the dumps: Tokyo wastelands and marginalized groups in Japanese lm and anime ALISA FREEDMAN 6 Cinema at the edge of the world: visions of precarity in the lms of Kumakiri Kazuyoshi LINDSAY NELSON 7 How to remember 3.11? Post-Fukushima documentary and the politics of T hoku Documentary Trilogy (2011-2013) RAN MA SECTION C Creating the political subject through media 8 The Japanese self-defence forces and cinematic productions: resonance and reverberation in the normalization of organized state violence ATSUKO FUKUURA AND EYAL BEN-ARI 9 Politicizing the audience? Film fans' experiences of cinema in the 1960s JENNIFER COATES 10 Fading away from the screen: cinematic responses to queer ageing in contemporary Japanese cinema YUTAKA KUBO
Introduction JENNIFER COATES AND EYAL BEN- ARI
SECTION A Historical contexts
1 A question of form: dissent and the nouvelle vague ISOLDE STANDISH
2 Negotiating sex, the bizarre, and politics: the Abe Sada incident in films KATSUYUKI HIDAKA
3 The four lives of Matsugor the Lawless: agency, constraint, and what is "worthy" of film censorship in trans-war Japan IRIS HAUKAMP
4 Tarzan and Japan: racial portraits of a nation in Boy Kenya DEANNA T. NARDY
SECTION B Critique, contestation, and resistance
5 Down in the dumps: Tokyo wastelands and marginalized groups in Japanese film and anime ALISA FREEDMAN
6 Cinema at the edge of the world: visions of precarity in the films of Kumakiri Kazuyoshi LINDSAY NELSON
7 How to remember 3.11? Post-Fukushima documentary and the politics of Thoku Documentary Trilogy (2011-2013) RAN MA
SECTION C Creating the political subject through media
8 The Japanese self-defence forces and cinematic productions: resonance and reverberation in the normalization of organized state violence ATSUKO FUKUURA AND EYAL BEN-ARI
9 Politicizing the audience? Film fans' experiences of cinema in the 1960s JENNIFER COATES
10 Fading away from the screen: cinematic responses to queer ageing in contemporary Japanese cinema YUTAKA KUBO
Introduction JENNIFER COATES AND EYAL BEN- ARI SECTION A Historical contexts 1 A question of form: dissent and the nouvelle vagueISOLDE STANDISH 2 Negotiating sex, the bizarre, and politics: the Abe Sada incident in lms KATSUYUKI HIDAKA 3 The four lives of Matsugor the Lawless: agency, constraint, and what is "worthy" of lm censorship in trans-war Japan IRIS HAUKAMP 4 Tarzan and Japan: racial portraits of a nation in Boy Kenya DEANNA T. NARDY SECTION B Critique, contestation, and resistance 5 Down in the dumps: Tokyo wastelands and marginalized groups in Japanese lm and anime ALISA FREEDMAN 6 Cinema at the edge of the world: visions of precarity in the lms of Kumakiri Kazuyoshi LINDSAY NELSON 7 How to remember 3.11? Post-Fukushima documentary and the politics of T hoku Documentary Trilogy (2011-2013) RAN MA SECTION C Creating the political subject through media 8 The Japanese self-defence forces and cinematic productions: resonance and reverberation in the normalization of organized state violence ATSUKO FUKUURA AND EYAL BEN-ARI 9 Politicizing the audience? Film fans' experiences of cinema in the 1960s JENNIFER COATES 10 Fading away from the screen: cinematic responses to queer ageing in contemporary Japanese cinema YUTAKA KUBO
Introduction JENNIFER COATES AND EYAL BEN- ARI
SECTION A Historical contexts
1 A question of form: dissent and the nouvelle vague ISOLDE STANDISH
2 Negotiating sex, the bizarre, and politics: the Abe Sada incident in films KATSUYUKI HIDAKA
3 The four lives of Matsugor the Lawless: agency, constraint, and what is "worthy" of film censorship in trans-war Japan IRIS HAUKAMP
4 Tarzan and Japan: racial portraits of a nation in Boy Kenya DEANNA T. NARDY
SECTION B Critique, contestation, and resistance
5 Down in the dumps: Tokyo wastelands and marginalized groups in Japanese film and anime ALISA FREEDMAN
6 Cinema at the edge of the world: visions of precarity in the films of Kumakiri Kazuyoshi LINDSAY NELSON
7 How to remember 3.11? Post-Fukushima documentary and the politics of Thoku Documentary Trilogy (2011-2013) RAN MA
SECTION C Creating the political subject through media
8 The Japanese self-defence forces and cinematic productions: resonance and reverberation in the normalization of organized state violence ATSUKO FUKUURA AND EYAL BEN-ARI
9 Politicizing the audience? Film fans' experiences of cinema in the 1960s JENNIFER COATES
10 Fading away from the screen: cinematic responses to queer ageing in contemporary Japanese cinema YUTAKA KUBO
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