Jasmin Vardimon's Dance Theatre offers an unusual, intimate insight into the devising and training processes of a choreographer in the midst of her practice. Libby Worth and Jasmin Vardimon take a collaborative approach to recording and exploring the working processes of Vardimon and her company, chronicling the development of specific productions rather than offering a single choreographic blueprint.
Jasmin Vardimon's Dance Theatre offers an unusual, intimate insight into the devising and training processes of a choreographer in the midst of her practice. Libby Worth and Jasmin Vardimon take a collaborative approach to recording and exploring the working processes of Vardimon and her company, chronicling the development of specific productions rather than offering a single choreographic blueprint.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Libby Worth is Senior Lecturer in Drama and Theatre at Royal Holloway, University of London. She has published widely on Anna Halprin (Routledge Performance Practitioners , Routledge 2004), Caryl Churchill, Jenny Kemp and Ninette de Valois. As a movement practitioner trained in the Feldenkrais Method® she focuses on research into performer training, site-based performance and dance improvisation. She is co-editor of the journal Theatre, Dance and Performance Training. Jasmin Vardimon is Artistic Director of the Jasmin Vardimon Company, an Associate Artist and Sadler's Wells and Visiting Professor at Wolverhampton University. She also developed 'Physical Theatre for Dancers and Actors' (2009-2017) at Royal Holloway, University of London, where she received an honorary doctorate in 2014. She has been the recipient of the Jerwood Choreography Award (2000), and her most high profile works include Lullaby (2003), PARK (2005), Justitia (2007), Yesterday (2008) and 7734 (2010).
Inhaltsangabe
Introduction Chapter 1. Early Years in Israel and first performances in the UK Performances: Therapist (1997), Madame Made (1998), Tête (1999), LureLureLure (2000), Ticklish (2001) Chapter 2. Seeds of creation Performances: Lullaby (2003) Chapter 3. 'Hitmasroot' Performances: PARK (2005) Chapter 4. Textured voices: Text and Texture Performances: Justitia (2007) Chapter 5. Covering layers and pruning Performances: Yesterday (2008) Chapter 6. Unearthing: 7734 Performances: 7734 (2010) Conclusion: Re-seeding: new directions in education, training and performances Performances: Freedom (2012), MAZE (2015) Appendix A Chronology of Jasmin Vardimon works and awards. Appendix B Performance credits for works made for Zbang and Jasmin Vardimon Company. Bibliography
Introduction Chapter 1. Early Years in Israel and first performances in the UK Performances: Therapist (1997), Madame Made (1998), Tête (1999), LureLureLure (2000), Ticklish (2001) Chapter 2. Seeds of creation Performances: Lullaby (2003) Chapter 3. 'Hitmasroot' Performances: PARK (2005) Chapter 4. Textured voices: Text and Texture Performances: Justitia (2007) Chapter 5. Covering layers and pruning Performances: Yesterday (2008) Chapter 6. Unearthing: 7734 Performances: 7734 (2010) Conclusion: Re-seeding: new directions in education, training and performances Performances: Freedom (2012), MAZE (2015) Appendix A Chronology of Jasmin Vardimon works and awards. Appendix B Performance credits for works made for Zbang and Jasmin Vardimon Company. Bibliography
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