"Jazz: Research and Pedagogy" is the third edition of an annotated bibliography to books, recordings, videos, and websites in the field of jazz. Since the publication of the 2nd edition in 1995, the quantity and quality of books on jazz research, performance, and teaching materials have increased. Although the 1995 book was the most comprehensive annotated jazz bibliography published to that date, several books on research, performance, and teaching materials were omitted. In addition, given the proliferation of new books in all jazz areas since 1995, the need for a new, comprehensive, and…mehr
"Jazz: Research and Pedagogy" is the third edition of an annotated bibliography to books, recordings, videos, and websites in the field of jazz. Since the publication of the 2nd edition in 1995, the quantity and quality of books on jazz research, performance, and teaching materials have increased. Although the 1995 book was the most comprehensive annotated jazz bibliography published to that date, several books on research, performance, and teaching materials were omitted. In addition, given the proliferation of new books in all jazz areas since 1995, the need for a new, comprehensive, and annotated reference book on jazz is apparent. Multiply indexed, this book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the last decade.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Eddie S. Meadows is professor of jazz music at San Diego State University.
Inhaltsangabe
Contents Dedication Preface Preface Bibliograpy Acknowledgments Affecting Presence: Horace Silver's Funky Style I. Aesthetics, Appreciation, Collected Criticism, Clubs and Festivals, Philosophy II. Reference Works, Bibliographies, Dictionaries, Encyclopedias III. Photographic Essays Jazz Cinema and Dance IV. Jazz in World Cultures A. African, Afro-Cuban, Latin Influences B. Australia C. Austria D. Belgium E. Britain F. Canada G. Central and South America H. Czechoslovakia I. Denmark J. Estonia K. Europe L. Finland M. France N. Germany O. Holland P. Hungary Q. Italy R. Japan S. Netherlands T. Norway U. Poland V. Portugal W. Soviet union X. Sweden Y. Yugoslavia V. Biographies and Autobiographies on Individuals A. Collective Biographies B. Portraits, Essays VI. History-Surveys A. General B. Early Jazz C. Big Band and Swing D. World War II, Bebop and After E. Regional Studies 1. California 2. Chicago 3. Columbus, Ohio 4. Detroit, Michigan 5. Indiana 6. Kansas City 7.Memphis, Tennesse 8.Newark, New Jersey 9.New Orleans/Louisiana 10.New York 11. Seattle, Washington 12.Texas VII. Discography A. Science of Discography B. Individual Discographies C. Collective Discographies VIII. Theses and Dissertations A. Theses and Dissertations on Individuals B. Theses and Dissertations on Several Musicians C. Aesthetics, Criticism, Education, and Philosophy D. Analysis, Arranging, Composition, and Harmony E. Argot F. Criticism and Poetry G. Discography H. Evolution and History I. Improvisation J. Jazz Dance K .Jazz and Euro-American Art Music L Sociology M. Women and Jazz N. Regional Studies 1. Kansas City 2. Los Angeles 3. Memphis 4. Minneapolis 5. New England 6. New Orleans 7. New York City 8. North Carolina 9. Northeast, Ohio World Cultures A. China B. France C. Japan D. Spain E. West Africa/Dahomey F. Zimbabwe IX. Pedagogy Materials A. Arranging and Composing B. Ear Training C. Chord Studies 1. All instruments 2. Bass 3. Drums/Rhythm Instruments 4. Guitar 5. Keyboard 6. Saxophone 7. Trombone 8. Trumpet D. Methods, Pedagogy, General Approaches to Improvisation 1.All Instruments 2.Bands 3.Bass 4.Bass Clef Instruments 5.Bb, C Eb Instruments 6.Clarinet 7.Drums/Percussion 8.Flute 9.Guitar 10.Keyboard 11.Phrasing 12.Rhythm 13.Saxophone 14.Treble Clef Instruments 15.Trombone 16.Trumpet E. Instrument-Specific Approaches to Improvisation 1 .Bass 2. Flute 3. Guitar 4. Keyboard 5. Saxophone 6. Strings 7. Treble Clef Instruments 8. Vocalists 9. Improvisational Materials for Bass and Treble Instruments F. Jamey Aebersold Improvisation Materials 1. Aebersold for Bass 2. Aebersold for Piano X. Transcriptions A. Individual B. Collective XI. Jazz Videos/DVDs A. Individuals and Groups B. Collective C. Club Date D. Artists, Concerts, Groups, Tributes E. History and Influence F Pedagogy G. Film XII. Harlequin Collection of Jazz and Hot Dance XIII. Selected Recordings: Anthologies and Collections XIV. Jazz Journals: Domestic and Foreign XV. Jazz Research Libraries XVI. Index
Contents Dedication Preface Preface Bibliograpy Acknowledgments Affecting Presence: Horace Silver's Funky Style I. Aesthetics, Appreciation, Collected Criticism, Clubs and Festivals, Philosophy II. Reference Works, Bibliographies, Dictionaries, Encyclopedias III. Photographic Essays Jazz Cinema and Dance IV. Jazz in World Cultures A. African, Afro-Cuban, Latin Influences B. Australia C. Austria D. Belgium E. Britain F. Canada G. Central and South America H. Czechoslovakia I. Denmark J. Estonia K. Europe L. Finland M. France N. Germany O. Holland P. Hungary Q. Italy R. Japan S. Netherlands T. Norway U. Poland V. Portugal W. Soviet union X. Sweden Y. Yugoslavia V. Biographies and Autobiographies on Individuals A. Collective Biographies B. Portraits, Essays VI. History-Surveys A. General B. Early Jazz C. Big Band and Swing D. World War II, Bebop and After E. Regional Studies 1. California 2. Chicago 3. Columbus, Ohio 4. Detroit, Michigan 5. Indiana 6. Kansas City 7.Memphis, Tennesse 8.Newark, New Jersey 9.New Orleans/Louisiana 10.New York 11. Seattle, Washington 12.Texas VII. Discography A. Science of Discography B. Individual Discographies C. Collective Discographies VIII. Theses and Dissertations A. Theses and Dissertations on Individuals B. Theses and Dissertations on Several Musicians C. Aesthetics, Criticism, Education, and Philosophy D. Analysis, Arranging, Composition, and Harmony E. Argot F. Criticism and Poetry G. Discography H. Evolution and History I. Improvisation J. Jazz Dance K .Jazz and Euro-American Art Music L Sociology M. Women and Jazz N. Regional Studies 1. Kansas City 2. Los Angeles 3. Memphis 4. Minneapolis 5. New England 6. New Orleans 7. New York City 8. North Carolina 9. Northeast, Ohio World Cultures A. China B. France C. Japan D. Spain E. West Africa/Dahomey F. Zimbabwe IX. Pedagogy Materials A. Arranging and Composing B. Ear Training C. Chord Studies 1. All instruments 2. Bass 3. Drums/Rhythm Instruments 4. Guitar 5. Keyboard 6. Saxophone 7. Trombone 8. Trumpet D. Methods, Pedagogy, General Approaches to Improvisation 1.All Instruments 2.Bands 3.Bass 4.Bass Clef Instruments 5.Bb, C Eb Instruments 6.Clarinet 7.Drums/Percussion 8.Flute 9.Guitar 10.Keyboard 11.Phrasing 12.Rhythm 13.Saxophone 14.Treble Clef Instruments 15.Trombone 16.Trumpet E. Instrument-Specific Approaches to Improvisation 1 .Bass 2. Flute 3. Guitar 4. Keyboard 5. Saxophone 6. Strings 7. Treble Clef Instruments 8. Vocalists 9. Improvisational Materials for Bass and Treble Instruments F. Jamey Aebersold Improvisation Materials 1. Aebersold for Bass 2. Aebersold for Piano X. Transcriptions A. Individual B. Collective XI. Jazz Videos/DVDs A. Individuals and Groups B. Collective C. Club Date D. Artists, Concerts, Groups, Tributes E. History and Influence F Pedagogy G. Film XII. Harlequin Collection of Jazz and Hot Dance XIII. Selected Recordings: Anthologies and Collections XIV. Jazz Journals: Domestic and Foreign XV. Jazz Research Libraries XVI. Index
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