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The Ninth Edition of "Jazz" takes students on an extraordinary musical journey through the changing styles and the fascinating history of jazz. With a strong emphasis on listening and an outstanding photo program, "Jazz" offers an insider's view of the most important music, artists, clubs, and precursors in jazz history. New to the Ninth Edition, personal accounts by major players in the scene -- "Witness to Jazz" -- take students inside the sessions, giving them a firsthand view of the lively context surrounding the growth of this uniquely American art form.
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The Ninth Edition of "Jazz" takes students on an extraordinary musical journey through the changing styles and the fascinating history of jazz. With a strong emphasis on listening and an outstanding photo program, "Jazz" offers an insider's view of the most important music, artists, clubs, and precursors in jazz history. New to the Ninth Edition, personal accounts by major players in the scene -- "Witness to Jazz" -- take students inside the sessions, giving them a firsthand view of the lively context surrounding the growth of this uniquely American art form.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: McGraw Hill LLC
- Seitenzahl: 256
- Erscheinungstermin: Oktober 2000
- Englisch
- ISBN-13: 9780072455137
- ISBN-10: 0072455136
- Artikelnr.: 59810148
- Herstellerkennzeichnung
- Produktsicherheitsverantwortliche/r
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: McGraw Hill LLC
- Seitenzahl: 256
- Erscheinungstermin: Oktober 2000
- Englisch
- ISBN-13: 9780072455137
- ISBN-10: 0072455136
- Artikelnr.: 59810148
- Herstellerkennzeichnung
- Produktsicherheitsverantwortliche/r
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Chapter 1: Listening to Jazz
An Overview
Historical Frame of Reference
Understanding Jazz
What to Listen for in Jazz
Listening Guidelines
Summary
For Further Study
Notes
Chapter 2: Jazz Heritages
African and European Influences
Interpretation and Content
African Influences
European Influences
African Americans in the Early Colonies
Creole Music
Field Hollers (Cries)
Work Songs
Minstrels
Religious Music
Marching Bands
Summary
For Furthur Study
Additional Reading Resources
Notes
Chapter 3: The Blues
The Origin
Blue Notes
Field and Prison Hollers
Blues Lyrics
Country and Urban Blues
Singing the Blues
Contemporary Blues
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Chapter 4: Piano Styles: Ragtime to Boogie-Woogie
The Birth of Ragtime
Ragtime and Dixieland Merge
Ragtime Lives On
Stride Piano
Boogie-Woogie
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 5: Early New Orleans and Chicago Style Jazz
Early New Orleans Style
Louis Armstrong (1901-71)
Chicago Style (the 1920s)
Later Developments
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 6: Swing
Beginnings of the Swing Era
Jazz Arrangements
New York
Kansas City
Swing Becomes Accepted
Paul Whiteman
The Swing Bands
Big Band Soloists
Swing Combos
The Demise of Swing
Big-Band Legacy
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 7: Ellington
Washington to New York
The Cotton Club
Touring
The Swing Period
Billy Strayhorn
New Additions and Longer Compositions
Johnny Hodges
A Period of Transition
Late Ellington
Individual and Group Expression
Innovations
Repertoire
Legacy
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 8: Bop
The Shift to Bop
The Developing Mainstream and the Jazz Canon
Bop Arranging
Musical Expansion
The Bop Rhythm Section
The Performers
Bop and Progressive Big Bands
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 9: Cool
The Sounds of Cool
Cool Bands
The Performers
West Coast Jazz
Third Stream
Jazz in Classical Competition
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 10: Miles Davis
Bop
Cool
Small Groups
Modal
Jazz Rock
Jazz Pop
Legacy
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 11: Hard Bop, Funky
The Music
Gospel Jazz
The Performers
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 12: Free Form, Avant-Garde
Ornette Coleman
Cecil Taylor
John Coltrane
Chicago Style of Free Jazz
Anthony Braxton
Contemporary Avant-Garde
The Fee Jazz Controversy
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 13: Jazz Rock Fusion
Early Jazz Rock
Fusion
Jazz:A New Popularity
Vocal Jazz
Jazz/Pop
Jazz/Pop Blend
Jazz in Rock
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 14: Contemporary Trends, A Maturing Art Form
The Neoclassical School
The Jazz Canon
The Young Lions
Wynton Marsalis
The Trumpet Legacy
The Saxophone Legacy
Other Performers
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 15: Latin Jazz
1890s-1910, Early New Orleans
1910s-1920, The Tango Craze
1930s, The Rumba Craze
Clave
1940s, Swing to Cubop
1950s, The Mambo and Cubop
1960s, The Brazilian Wave
1970s, Latin Jazz Fusion
Contemporary Trends
Summary
Suggested Additional Listening
Additional Reading Resources
Chapter 16: Vocal Jazz
Spiritual Singing
Gospel
Mahalia Jackson and the African American Church
Singing Work Songs
Publishing Popular Music
Blues Singers
Later Jazz Singers
Jazz Pop Distinctions
Vocal Jazz Groups
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Appendix A: Listening Suggestions
Appendix B: Notation Examples
Glossary
Bibliography
Index
An Overview
Historical Frame of Reference
Understanding Jazz
What to Listen for in Jazz
Listening Guidelines
Summary
For Further Study
Notes
Chapter 2: Jazz Heritages
African and European Influences
Interpretation and Content
African Influences
European Influences
African Americans in the Early Colonies
Creole Music
Field Hollers (Cries)
Work Songs
Minstrels
Religious Music
Marching Bands
Summary
For Furthur Study
Additional Reading Resources
Notes
Chapter 3: The Blues
The Origin
Blue Notes
Field and Prison Hollers
Blues Lyrics
Country and Urban Blues
Singing the Blues
Contemporary Blues
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Chapter 4: Piano Styles: Ragtime to Boogie-Woogie
The Birth of Ragtime
Ragtime and Dixieland Merge
Ragtime Lives On
Stride Piano
Boogie-Woogie
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 5: Early New Orleans and Chicago Style Jazz
Early New Orleans Style
Louis Armstrong (1901-71)
Chicago Style (the 1920s)
Later Developments
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 6: Swing
Beginnings of the Swing Era
Jazz Arrangements
New York
Kansas City
Swing Becomes Accepted
Paul Whiteman
The Swing Bands
Big Band Soloists
Swing Combos
The Demise of Swing
Big-Band Legacy
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 7: Ellington
Washington to New York
The Cotton Club
Touring
The Swing Period
Billy Strayhorn
New Additions and Longer Compositions
Johnny Hodges
A Period of Transition
Late Ellington
Individual and Group Expression
Innovations
Repertoire
Legacy
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 8: Bop
The Shift to Bop
The Developing Mainstream and the Jazz Canon
Bop Arranging
Musical Expansion
The Bop Rhythm Section
The Performers
Bop and Progressive Big Bands
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 9: Cool
The Sounds of Cool
Cool Bands
The Performers
West Coast Jazz
Third Stream
Jazz in Classical Competition
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 10: Miles Davis
Bop
Cool
Small Groups
Modal
Jazz Rock
Jazz Pop
Legacy
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 11: Hard Bop, Funky
The Music
Gospel Jazz
The Performers
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 12: Free Form, Avant-Garde
Ornette Coleman
Cecil Taylor
John Coltrane
Chicago Style of Free Jazz
Anthony Braxton
Contemporary Avant-Garde
The Fee Jazz Controversy
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 13: Jazz Rock Fusion
Early Jazz Rock
Fusion
Jazz:A New Popularity
Vocal Jazz
Jazz/Pop
Jazz/Pop Blend
Jazz in Rock
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 14: Contemporary Trends, A Maturing Art Form
The Neoclassical School
The Jazz Canon
The Young Lions
Wynton Marsalis
The Trumpet Legacy
The Saxophone Legacy
Other Performers
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 15: Latin Jazz
1890s-1910, Early New Orleans
1910s-1920, The Tango Craze
1930s, The Rumba Craze
Clave
1940s, Swing to Cubop
1950s, The Mambo and Cubop
1960s, The Brazilian Wave
1970s, Latin Jazz Fusion
Contemporary Trends
Summary
Suggested Additional Listening
Additional Reading Resources
Chapter 16: Vocal Jazz
Spiritual Singing
Gospel
Mahalia Jackson and the African American Church
Singing Work Songs
Publishing Popular Music
Blues Singers
Later Jazz Singers
Jazz Pop Distinctions
Vocal Jazz Groups
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Appendix A: Listening Suggestions
Appendix B: Notation Examples
Glossary
Bibliography
Index
Chapter 1: Listening to Jazz
An Overview
Historical Frame of Reference
Understanding Jazz
What to Listen for in Jazz
Listening Guidelines
Summary
For Further Study
Notes
Chapter 2: Jazz Heritages
African and European Influences
Interpretation and Content
African Influences
European Influences
African Americans in the Early Colonies
Creole Music
Field Hollers (Cries)
Work Songs
Minstrels
Religious Music
Marching Bands
Summary
For Furthur Study
Additional Reading Resources
Notes
Chapter 3: The Blues
The Origin
Blue Notes
Field and Prison Hollers
Blues Lyrics
Country and Urban Blues
Singing the Blues
Contemporary Blues
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Chapter 4: Piano Styles: Ragtime to Boogie-Woogie
The Birth of Ragtime
Ragtime and Dixieland Merge
Ragtime Lives On
Stride Piano
Boogie-Woogie
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 5: Early New Orleans and Chicago Style Jazz
Early New Orleans Style
Louis Armstrong (1901-71)
Chicago Style (the 1920s)
Later Developments
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 6: Swing
Beginnings of the Swing Era
Jazz Arrangements
New York
Kansas City
Swing Becomes Accepted
Paul Whiteman
The Swing Bands
Big Band Soloists
Swing Combos
The Demise of Swing
Big-Band Legacy
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 7: Ellington
Washington to New York
The Cotton Club
Touring
The Swing Period
Billy Strayhorn
New Additions and Longer Compositions
Johnny Hodges
A Period of Transition
Late Ellington
Individual and Group Expression
Innovations
Repertoire
Legacy
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 8: Bop
The Shift to Bop
The Developing Mainstream and the Jazz Canon
Bop Arranging
Musical Expansion
The Bop Rhythm Section
The Performers
Bop and Progressive Big Bands
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 9: Cool
The Sounds of Cool
Cool Bands
The Performers
West Coast Jazz
Third Stream
Jazz in Classical Competition
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 10: Miles Davis
Bop
Cool
Small Groups
Modal
Jazz Rock
Jazz Pop
Legacy
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 11: Hard Bop, Funky
The Music
Gospel Jazz
The Performers
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 12: Free Form, Avant-Garde
Ornette Coleman
Cecil Taylor
John Coltrane
Chicago Style of Free Jazz
Anthony Braxton
Contemporary Avant-Garde
The Fee Jazz Controversy
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 13: Jazz Rock Fusion
Early Jazz Rock
Fusion
Jazz:A New Popularity
Vocal Jazz
Jazz/Pop
Jazz/Pop Blend
Jazz in Rock
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 14: Contemporary Trends, A Maturing Art Form
The Neoclassical School
The Jazz Canon
The Young Lions
Wynton Marsalis
The Trumpet Legacy
The Saxophone Legacy
Other Performers
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 15: Latin Jazz
1890s-1910, Early New Orleans
1910s-1920, The Tango Craze
1930s, The Rumba Craze
Clave
1940s, Swing to Cubop
1950s, The Mambo and Cubop
1960s, The Brazilian Wave
1970s, Latin Jazz Fusion
Contemporary Trends
Summary
Suggested Additional Listening
Additional Reading Resources
Chapter 16: Vocal Jazz
Spiritual Singing
Gospel
Mahalia Jackson and the African American Church
Singing Work Songs
Publishing Popular Music
Blues Singers
Later Jazz Singers
Jazz Pop Distinctions
Vocal Jazz Groups
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Appendix A: Listening Suggestions
Appendix B: Notation Examples
Glossary
Bibliography
Index
An Overview
Historical Frame of Reference
Understanding Jazz
What to Listen for in Jazz
Listening Guidelines
Summary
For Further Study
Notes
Chapter 2: Jazz Heritages
African and European Influences
Interpretation and Content
African Influences
European Influences
African Americans in the Early Colonies
Creole Music
Field Hollers (Cries)
Work Songs
Minstrels
Religious Music
Marching Bands
Summary
For Furthur Study
Additional Reading Resources
Notes
Chapter 3: The Blues
The Origin
Blue Notes
Field and Prison Hollers
Blues Lyrics
Country and Urban Blues
Singing the Blues
Contemporary Blues
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Chapter 4: Piano Styles: Ragtime to Boogie-Woogie
The Birth of Ragtime
Ragtime and Dixieland Merge
Ragtime Lives On
Stride Piano
Boogie-Woogie
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 5: Early New Orleans and Chicago Style Jazz
Early New Orleans Style
Louis Armstrong (1901-71)
Chicago Style (the 1920s)
Later Developments
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 6: Swing
Beginnings of the Swing Era
Jazz Arrangements
New York
Kansas City
Swing Becomes Accepted
Paul Whiteman
The Swing Bands
Big Band Soloists
Swing Combos
The Demise of Swing
Big-Band Legacy
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 7: Ellington
Washington to New York
The Cotton Club
Touring
The Swing Period
Billy Strayhorn
New Additions and Longer Compositions
Johnny Hodges
A Period of Transition
Late Ellington
Individual and Group Expression
Innovations
Repertoire
Legacy
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 8: Bop
The Shift to Bop
The Developing Mainstream and the Jazz Canon
Bop Arranging
Musical Expansion
The Bop Rhythm Section
The Performers
Bop and Progressive Big Bands
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 9: Cool
The Sounds of Cool
Cool Bands
The Performers
West Coast Jazz
Third Stream
Jazz in Classical Competition
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 10: Miles Davis
Bop
Cool
Small Groups
Modal
Jazz Rock
Jazz Pop
Legacy
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 11: Hard Bop, Funky
The Music
Gospel Jazz
The Performers
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 12: Free Form, Avant-Garde
Ornette Coleman
Cecil Taylor
John Coltrane
Chicago Style of Free Jazz
Anthony Braxton
Contemporary Avant-Garde
The Fee Jazz Controversy
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 13: Jazz Rock Fusion
Early Jazz Rock
Fusion
Jazz:A New Popularity
Vocal Jazz
Jazz/Pop
Jazz/Pop Blend
Jazz in Rock
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 14: Contemporary Trends, A Maturing Art Form
The Neoclassical School
The Jazz Canon
The Young Lions
Wynton Marsalis
The Trumpet Legacy
The Saxophone Legacy
Other Performers
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Chapter 15: Latin Jazz
1890s-1910, Early New Orleans
1910s-1920, The Tango Craze
1930s, The Rumba Craze
Clave
1940s, Swing to Cubop
1950s, The Mambo and Cubop
1960s, The Brazilian Wave
1970s, Latin Jazz Fusion
Contemporary Trends
Summary
Suggested Additional Listening
Additional Reading Resources
Chapter 16: Vocal Jazz
Spiritual Singing
Gospel
Mahalia Jackson and the African American Church
Singing Work Songs
Publishing Popular Music
Blues Singers
Later Jazz Singers
Jazz Pop Distinctions
Vocal Jazz Groups
Summary
For Further Study
Suggested Additional Listening
Additional Reading Resources
Notes
Appendix A: Listening Suggestions
Appendix B: Notation Examples
Glossary
Bibliography
Index