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First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
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First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- 3rd edition
- Seitenzahl: 776
- Erscheinungstermin: 19. September 2016
- Englisch
- Abmessung: 229mm x 152mm x 39mm
- Gewicht: 1021g
- ISBN-13: 9780415866972
- ISBN-10: 0415866979
- Artikelnr.: 37328770
- Verlag: Taylor & Francis Ltd (Sales)
- 3rd edition
- Seitenzahl: 776
- Erscheinungstermin: 19. September 2016
- Englisch
- Abmessung: 229mm x 152mm x 39mm
- Gewicht: 1021g
- ISBN-13: 9780415866972
- ISBN-10: 0415866979
- Artikelnr.: 37328770
Eddie S. Meadows is professor of jazz music at San Diego State University.
Contents Dedication Preface Preface Bibliograpy Acknowledgments Affecting
Presence: Horace Silver's Funky Style I. Aesthetics, Appreciation,
Collected Criticism, Clubs and Festivals, Philosophy II. Reference Works,
Bibliographies, Dictionaries, Encyclopedias III. Photographic Essays Jazz
Cinema and Dance IV. Jazz in World Cultures A. African, Afro-Cuban, Latin
Influences B. Australia C. Austria D. Belgium E. Britain F. Canada G.
Central and South America H. Czechoslovakia I. Denmark J. Estonia K. Europe
L. Finland M. France N. Germany O. Holland P. Hungary Q. Italy R. Japan S.
Netherlands T. Norway U. Poland V. Portugal W. Soviet union X. Sweden Y.
Yugoslavia V. Biographies and Autobiographies on Individuals A. Collective
Biographies B. Portraits, Essays VI. History-Surveys A. General B. Early
Jazz C. Big Band and Swing D. World War II, Bebop and After E. Regional
Studies 1. California 2. Chicago 3. Columbus, Ohio 4. Detroit, Michigan 5.
Indiana 6. Kansas City 7.Memphis, Tennesse 8.Newark, New Jersey 9.New
Orleans/Louisiana 10.New York 11. Seattle, Washington 12.Texas VII.
Discography A. Science of Discography B. Individual Discographies C.
Collective Discographies VIII. Theses and Dissertations A. Theses and
Dissertations on Individuals B. Theses and Dissertations on Several
Musicians C. Aesthetics, Criticism, Education, and Philosophy D. Analysis,
Arranging, Composition, and Harmony E. Argot F. Criticism and Poetry G.
Discography H. Evolution and History I. Improvisation J. Jazz Dance K .Jazz
and Euro-American Art Music L Sociology M. Women and Jazz N. Regional
Studies 1. Kansas City 2. Los Angeles 3. Memphis 4. Minneapolis 5. New
England 6. New Orleans 7. New York City 8. North Carolina 9. Northeast,
Ohio World Cultures A. China B. France C. Japan D. Spain E. West
Africa/Dahomey F. Zimbabwe IX. Pedagogy Materials A. Arranging and
Composing B. Ear Training C. Chord Studies 1. All instruments 2. Bass 3.
Drums/Rhythm Instruments 4. Guitar 5. Keyboard 6. Saxophone 7. Trombone 8.
Trumpet D. Methods, Pedagogy, General Approaches to Improvisation 1.All
Instruments 2.Bands 3.Bass 4.Bass Clef Instruments 5.Bb, C Eb Instruments
6.Clarinet 7.Drums/Percussion 8.Flute 9.Guitar 10.Keyboard 11.Phrasing
12.Rhythm 13.Saxophone 14.Treble Clef Instruments 15.Trombone 16.Trumpet E.
Instrument-Specific Approaches to Improvisation 1 .Bass 2. Flute 3. Guitar
4. Keyboard 5. Saxophone 6. Strings 7. Treble Clef Instruments 8. Vocalists
9. Improvisational Materials for Bass and Treble Instruments F. Jamey
Aebersold Improvisation Materials 1. Aebersold for Bass 2. Aebersold for
Piano X. Transcriptions A. Individual B. Collective XI. Jazz Videos/DVDs A.
Individuals and Groups B. Collective C. Club Date D. Artists, Concerts,
Groups, Tributes E. History and Influence F Pedagogy G. Film XII. Harlequin
Collection of Jazz and Hot Dance XIII. Selected Recordings: Anthologies and
Collections XIV. Jazz Journals: Domestic and Foreign XV. Jazz Research
Libraries XVI. Index
Presence: Horace Silver's Funky Style I. Aesthetics, Appreciation,
Collected Criticism, Clubs and Festivals, Philosophy II. Reference Works,
Bibliographies, Dictionaries, Encyclopedias III. Photographic Essays Jazz
Cinema and Dance IV. Jazz in World Cultures A. African, Afro-Cuban, Latin
Influences B. Australia C. Austria D. Belgium E. Britain F. Canada G.
Central and South America H. Czechoslovakia I. Denmark J. Estonia K. Europe
L. Finland M. France N. Germany O. Holland P. Hungary Q. Italy R. Japan S.
Netherlands T. Norway U. Poland V. Portugal W. Soviet union X. Sweden Y.
Yugoslavia V. Biographies and Autobiographies on Individuals A. Collective
Biographies B. Portraits, Essays VI. History-Surveys A. General B. Early
Jazz C. Big Band and Swing D. World War II, Bebop and After E. Regional
Studies 1. California 2. Chicago 3. Columbus, Ohio 4. Detroit, Michigan 5.
Indiana 6. Kansas City 7.Memphis, Tennesse 8.Newark, New Jersey 9.New
Orleans/Louisiana 10.New York 11. Seattle, Washington 12.Texas VII.
Discography A. Science of Discography B. Individual Discographies C.
Collective Discographies VIII. Theses and Dissertations A. Theses and
Dissertations on Individuals B. Theses and Dissertations on Several
Musicians C. Aesthetics, Criticism, Education, and Philosophy D. Analysis,
Arranging, Composition, and Harmony E. Argot F. Criticism and Poetry G.
Discography H. Evolution and History I. Improvisation J. Jazz Dance K .Jazz
and Euro-American Art Music L Sociology M. Women and Jazz N. Regional
Studies 1. Kansas City 2. Los Angeles 3. Memphis 4. Minneapolis 5. New
England 6. New Orleans 7. New York City 8. North Carolina 9. Northeast,
Ohio World Cultures A. China B. France C. Japan D. Spain E. West
Africa/Dahomey F. Zimbabwe IX. Pedagogy Materials A. Arranging and
Composing B. Ear Training C. Chord Studies 1. All instruments 2. Bass 3.
Drums/Rhythm Instruments 4. Guitar 5. Keyboard 6. Saxophone 7. Trombone 8.
Trumpet D. Methods, Pedagogy, General Approaches to Improvisation 1.All
Instruments 2.Bands 3.Bass 4.Bass Clef Instruments 5.Bb, C Eb Instruments
6.Clarinet 7.Drums/Percussion 8.Flute 9.Guitar 10.Keyboard 11.Phrasing
12.Rhythm 13.Saxophone 14.Treble Clef Instruments 15.Trombone 16.Trumpet E.
Instrument-Specific Approaches to Improvisation 1 .Bass 2. Flute 3. Guitar
4. Keyboard 5. Saxophone 6. Strings 7. Treble Clef Instruments 8. Vocalists
9. Improvisational Materials for Bass and Treble Instruments F. Jamey
Aebersold Improvisation Materials 1. Aebersold for Bass 2. Aebersold for
Piano X. Transcriptions A. Individual B. Collective XI. Jazz Videos/DVDs A.
Individuals and Groups B. Collective C. Club Date D. Artists, Concerts,
Groups, Tributes E. History and Influence F Pedagogy G. Film XII. Harlequin
Collection of Jazz and Hot Dance XIII. Selected Recordings: Anthologies and
Collections XIV. Jazz Journals: Domestic and Foreign XV. Jazz Research
Libraries XVI. Index
Contents Dedication Preface Preface Bibliograpy Acknowledgments Affecting
Presence: Horace Silver's Funky Style I. Aesthetics, Appreciation,
Collected Criticism, Clubs and Festivals, Philosophy II. Reference Works,
Bibliographies, Dictionaries, Encyclopedias III. Photographic Essays Jazz
Cinema and Dance IV. Jazz in World Cultures A. African, Afro-Cuban, Latin
Influences B. Australia C. Austria D. Belgium E. Britain F. Canada G.
Central and South America H. Czechoslovakia I. Denmark J. Estonia K. Europe
L. Finland M. France N. Germany O. Holland P. Hungary Q. Italy R. Japan S.
Netherlands T. Norway U. Poland V. Portugal W. Soviet union X. Sweden Y.
Yugoslavia V. Biographies and Autobiographies on Individuals A. Collective
Biographies B. Portraits, Essays VI. History-Surveys A. General B. Early
Jazz C. Big Band and Swing D. World War II, Bebop and After E. Regional
Studies 1. California 2. Chicago 3. Columbus, Ohio 4. Detroit, Michigan 5.
Indiana 6. Kansas City 7.Memphis, Tennesse 8.Newark, New Jersey 9.New
Orleans/Louisiana 10.New York 11. Seattle, Washington 12.Texas VII.
Discography A. Science of Discography B. Individual Discographies C.
Collective Discographies VIII. Theses and Dissertations A. Theses and
Dissertations on Individuals B. Theses and Dissertations on Several
Musicians C. Aesthetics, Criticism, Education, and Philosophy D. Analysis,
Arranging, Composition, and Harmony E. Argot F. Criticism and Poetry G.
Discography H. Evolution and History I. Improvisation J. Jazz Dance K .Jazz
and Euro-American Art Music L Sociology M. Women and Jazz N. Regional
Studies 1. Kansas City 2. Los Angeles 3. Memphis 4. Minneapolis 5. New
England 6. New Orleans 7. New York City 8. North Carolina 9. Northeast,
Ohio World Cultures A. China B. France C. Japan D. Spain E. West
Africa/Dahomey F. Zimbabwe IX. Pedagogy Materials A. Arranging and
Composing B. Ear Training C. Chord Studies 1. All instruments 2. Bass 3.
Drums/Rhythm Instruments 4. Guitar 5. Keyboard 6. Saxophone 7. Trombone 8.
Trumpet D. Methods, Pedagogy, General Approaches to Improvisation 1.All
Instruments 2.Bands 3.Bass 4.Bass Clef Instruments 5.Bb, C Eb Instruments
6.Clarinet 7.Drums/Percussion 8.Flute 9.Guitar 10.Keyboard 11.Phrasing
12.Rhythm 13.Saxophone 14.Treble Clef Instruments 15.Trombone 16.Trumpet E.
Instrument-Specific Approaches to Improvisation 1 .Bass 2. Flute 3. Guitar
4. Keyboard 5. Saxophone 6. Strings 7. Treble Clef Instruments 8. Vocalists
9. Improvisational Materials for Bass and Treble Instruments F. Jamey
Aebersold Improvisation Materials 1. Aebersold for Bass 2. Aebersold for
Piano X. Transcriptions A. Individual B. Collective XI. Jazz Videos/DVDs A.
Individuals and Groups B. Collective C. Club Date D. Artists, Concerts,
Groups, Tributes E. History and Influence F Pedagogy G. Film XII. Harlequin
Collection of Jazz and Hot Dance XIII. Selected Recordings: Anthologies and
Collections XIV. Jazz Journals: Domestic and Foreign XV. Jazz Research
Libraries XVI. Index
Presence: Horace Silver's Funky Style I. Aesthetics, Appreciation,
Collected Criticism, Clubs and Festivals, Philosophy II. Reference Works,
Bibliographies, Dictionaries, Encyclopedias III. Photographic Essays Jazz
Cinema and Dance IV. Jazz in World Cultures A. African, Afro-Cuban, Latin
Influences B. Australia C. Austria D. Belgium E. Britain F. Canada G.
Central and South America H. Czechoslovakia I. Denmark J. Estonia K. Europe
L. Finland M. France N. Germany O. Holland P. Hungary Q. Italy R. Japan S.
Netherlands T. Norway U. Poland V. Portugal W. Soviet union X. Sweden Y.
Yugoslavia V. Biographies and Autobiographies on Individuals A. Collective
Biographies B. Portraits, Essays VI. History-Surveys A. General B. Early
Jazz C. Big Band and Swing D. World War II, Bebop and After E. Regional
Studies 1. California 2. Chicago 3. Columbus, Ohio 4. Detroit, Michigan 5.
Indiana 6. Kansas City 7.Memphis, Tennesse 8.Newark, New Jersey 9.New
Orleans/Louisiana 10.New York 11. Seattle, Washington 12.Texas VII.
Discography A. Science of Discography B. Individual Discographies C.
Collective Discographies VIII. Theses and Dissertations A. Theses and
Dissertations on Individuals B. Theses and Dissertations on Several
Musicians C. Aesthetics, Criticism, Education, and Philosophy D. Analysis,
Arranging, Composition, and Harmony E. Argot F. Criticism and Poetry G.
Discography H. Evolution and History I. Improvisation J. Jazz Dance K .Jazz
and Euro-American Art Music L Sociology M. Women and Jazz N. Regional
Studies 1. Kansas City 2. Los Angeles 3. Memphis 4. Minneapolis 5. New
England 6. New Orleans 7. New York City 8. North Carolina 9. Northeast,
Ohio World Cultures A. China B. France C. Japan D. Spain E. West
Africa/Dahomey F. Zimbabwe IX. Pedagogy Materials A. Arranging and
Composing B. Ear Training C. Chord Studies 1. All instruments 2. Bass 3.
Drums/Rhythm Instruments 4. Guitar 5. Keyboard 6. Saxophone 7. Trombone 8.
Trumpet D. Methods, Pedagogy, General Approaches to Improvisation 1.All
Instruments 2.Bands 3.Bass 4.Bass Clef Instruments 5.Bb, C Eb Instruments
6.Clarinet 7.Drums/Percussion 8.Flute 9.Guitar 10.Keyboard 11.Phrasing
12.Rhythm 13.Saxophone 14.Treble Clef Instruments 15.Trombone 16.Trumpet E.
Instrument-Specific Approaches to Improvisation 1 .Bass 2. Flute 3. Guitar
4. Keyboard 5. Saxophone 6. Strings 7. Treble Clef Instruments 8. Vocalists
9. Improvisational Materials for Bass and Treble Instruments F. Jamey
Aebersold Improvisation Materials 1. Aebersold for Bass 2. Aebersold for
Piano X. Transcriptions A. Individual B. Collective XI. Jazz Videos/DVDs A.
Individuals and Groups B. Collective C. Club Date D. Artists, Concerts,
Groups, Tributes E. History and Influence F Pedagogy G. Film XII. Harlequin
Collection of Jazz and Hot Dance XIII. Selected Recordings: Anthologies and
Collections XIV. Jazz Journals: Domestic and Foreign XV. Jazz Research
Libraries XVI. Index