This collection of articles engages with issues that are central to the changing discourse of jazz in popular culture. The volume includes studies of specific scenes, artists and periods from jazz history, as well as studies of broader aspects of musical discourse such as ontological considerations, the politics of canon formation, and issues of representation and international perspectives.
This collection of articles engages with issues that are central to the changing discourse of jazz in popular culture. The volume includes studies of specific scenes, artists and periods from jazz history, as well as studies of broader aspects of musical discourse such as ontological considerations, the politics of canon formation, and issues of representation and international perspectives.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Tony Whyton is Reader in Music in the School of Media, Music and Performance at the University of Salford. He is the author of Jazz Icons: Heroes, Myths and the Jazz Tradition, Cambridge University Press (2010) and the project leader for the HERA-funded research programme Rhythm Changes: Jazz Cultures and European Identities. Tony was the founding editor of the interdisciplinary journal The Source: Challenging Jazz Criticism and co-edits the internationally peer-reviewed Jazz Research Journal.
Inhaltsangabe
Contents: Introduction; Part I History Canon and the Politics of the Popular: Is jazz popular music? Simon Frith; Hear me talkin' to ya: problems of jazz discourse Bruce Johnson; Cultural dialogics and jazz: a White historian signifies Gary Tomlinson; Marsalis and Baraka: an essay in comparative cultural discourse Lee B. Brown; Struggling with jazz Scott DeVeaux; Free jazz in the classroom: an ecological approach to music education David Borgo; Deconstructing the jazz tradition: the 'subjectless subject' of new jazz studies Sherrie Tucker. Part II Representations People Repertoire: White face Black voice: race gender and region in the music of the Boswell Sisters Laurie Stras; Charlie Parker and popular music Brian Priestley; The sound world of Art Tatum David Horn; Out of notes: signification interpretation and the problem of Miles Davis Robert Walser; A question of standards: My Funny Valentine and musical intertextuality Alan Stanbridge; Doubleness and jazz improvisation: irony parody and ethnomusicology Ingrid Monson; Style and the improvised in Keith Jarrett's solo concerts Peter Elsdon; Four for Trane: jazz and the disembodied voice Tony Whyton; Regendering jazz: Ornette Coleman and the New York jazz scene in the late 1950s David Ake. Part III Reception Scenes Global Perspectives: Stars of David and sons of Sicily: constellations beyond the canon in early New Orleans jazz Bruce Boyd Raeburn; A critical reassessment of the reception of early jazz in Britain Catherine Parsonage; Making jazz French: the reception of jazz music in Paris 1927-1934 Jeffrey H. Jackson; Jammin' on the jazz frontier: the Japanese jazz community in interwar Shanghai E. Taylor Atkins; Concert and dance: the foundations of Black jazz in South Africa between the 20s and the early 40s Christopher Ballantine; Jazz Britannia: mediating the story of British jazz on television Tim Wall and Paul Long; Name index.
Contents: Introduction; Part I History Canon and the Politics of the Popular: Is jazz popular music? Simon Frith; Hear me talkin' to ya: problems of jazz discourse Bruce Johnson; Cultural dialogics and jazz: a White historian signifies Gary Tomlinson; Marsalis and Baraka: an essay in comparative cultural discourse Lee B. Brown; Struggling with jazz Scott DeVeaux; Free jazz in the classroom: an ecological approach to music education David Borgo; Deconstructing the jazz tradition: the 'subjectless subject' of new jazz studies Sherrie Tucker. Part II Representations People Repertoire: White face Black voice: race gender and region in the music of the Boswell Sisters Laurie Stras; Charlie Parker and popular music Brian Priestley; The sound world of Art Tatum David Horn; Out of notes: signification interpretation and the problem of Miles Davis Robert Walser; A question of standards: My Funny Valentine and musical intertextuality Alan Stanbridge; Doubleness and jazz improvisation: irony parody and ethnomusicology Ingrid Monson; Style and the improvised in Keith Jarrett's solo concerts Peter Elsdon; Four for Trane: jazz and the disembodied voice Tony Whyton; Regendering jazz: Ornette Coleman and the New York jazz scene in the late 1950s David Ake. Part III Reception Scenes Global Perspectives: Stars of David and sons of Sicily: constellations beyond the canon in early New Orleans jazz Bruce Boyd Raeburn; A critical reassessment of the reception of early jazz in Britain Catherine Parsonage; Making jazz French: the reception of jazz music in Paris 1927-1934 Jeffrey H. Jackson; Jammin' on the jazz frontier: the Japanese jazz community in interwar Shanghai E. Taylor Atkins; Concert and dance: the foundations of Black jazz in South Africa between the 20s and the early 40s Christopher Ballantine; Jazz Britannia: mediating the story of British jazz on television Tim Wall and Paul Long; Name index.
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