Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era.
Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
1. Introduction Paul Henry Lang; 2. The first opera in Paris: a study in the politics of art Neal Zaslaw; 3. Michel Lambert and Jean-Baptiste Lully: the stakes of a collaboration Catherine Massif; 4. Chronology and evolution of the grand motet at the court of Louis XFV evidence from the Livres du Rol' and the works of Perrin, the sous-maitres and Lully Lionel Sawkins; 5. The sources of Lully's grands motets John Hajdu Heyer; 6. Some notes on Lully's orchestra Jerome De La Gorce; 7. The Amsterdam editions of Lully's orchestral suites Herbert Schneider; 8. Parnassus revisited: the musical vantage point of Titon du Tiller Julie Ann Sadie; 9. The residences of Monsieur de Lully: a west side story Marcelle Benoit; 10. The geographical spread of Lully's operas during the late seventeenth and early eighteenth centuries: new evidence from the Burets Carl B. Schmidt; 11. How eighteenth-century Parisians heard Lully's operas: the case of Armide's fourth act Lois Rosow; 12. La Mariee: the history of a French court dance Rebecca Harris-Warrick; 13. A re-examination of Rameau's self-borrowings Graham Sadler; 14. A musician's view of the French baroque after the advent of Gluck: Gretry's Les trois rages de l'opera and its context M. Elizabeth C. Bartlet; 15. A bibliography of writings by James R. Anthony Dorman Smith.
1. Introduction Paul Henry Lang; 2. The first opera in Paris: a study in the politics of art Neal Zaslaw; 3. Michel Lambert and Jean-Baptiste Lully: the stakes of a collaboration Catherine Massif; 4. Chronology and evolution of the grand motet at the court of Louis XFV evidence from the Livres du Rol' and the works of Perrin, the sous-maitres and Lully Lionel Sawkins; 5. The sources of Lully's grands motets John Hajdu Heyer; 6. Some notes on Lully's orchestra Jerome De La Gorce; 7. The Amsterdam editions of Lully's orchestral suites Herbert Schneider; 8. Parnassus revisited: the musical vantage point of Titon du Tiller Julie Ann Sadie; 9. The residences of Monsieur de Lully: a west side story Marcelle Benoit; 10. The geographical spread of Lully's operas during the late seventeenth and early eighteenth centuries: new evidence from the Burets Carl B. Schmidt; 11. How eighteenth-century Parisians heard Lully's operas: the case of Armide's fourth act Lois Rosow; 12. La Mariee: the history of a French court dance Rebecca Harris-Warrick; 13. A re-examination of Rameau's self-borrowings Graham Sadler; 14. A musician's view of the French baroque after the advent of Gluck: Gretry's Les trois rages de l'opera and its context M. Elizabeth C. Bartlet; 15. A bibliography of writings by James R. Anthony Dorman Smith.
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
