This is the first comprehensive study of Jean Epstein's fiction and documentary films, film theory, and writings on poetry and homosexuality. The book unfolds the intellectual trajectory of Epstein and restores him to the limelight of interwar world cinema, on a par with Renoir, Lang, Capra and Eisenstein.
This is the first comprehensive study of Jean Epstein's fiction and documentary films, film theory, and writings on poetry and homosexuality. The book unfolds the intellectual trajectory of Epstein and restores him to the limelight of interwar world cinema, on a par with Renoir, Lang, Capra and Eisenstein.
Christophe Wall-Romana is Associate Professor in the Department of French and Italian and Affiliated Faculty in Moving Image Studies at the University of Minnesota
Inhaltsangabe
Series Editors' Foreword Introduction: Epstein at the crossroads Chapter 1: From literary modernism to photogénie Chapter 2: Avant-garde working class melodramas Chapter 3: Technology, embodiment and homosexuality Chapter 4: Brittany, the edge of the modern world Chapter 5: Documentaries and sound films Chapter 6: 'A young Spinoza': philosophy of the cinema Conclusion: Epstein as pioneer of corporeal cinema Filmography Select Bibliography Index
Series Editors' Foreword Introduction: Epstein at the crossroads Chapter 1: From literary modernism to photogénie Chapter 2: Avant-garde working class melodramas Chapter 3: Technology, embodiment and homosexuality Chapter 4: Brittany, the edge of the modern world Chapter 5: Documentaries and sound films Chapter 6: 'A young Spinoza': philosophy of the cinema Conclusion: Epstein as pioneer of corporeal cinema Filmography Select Bibliography Index
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