JEAN-LUC GODARD - Robinson, Jeremy Mark
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JEAN-LUC GODARD: THE PASSION OF CINEMA VOLUME 2: 1968 ONWARDS By Jeremy Mark Robinson There's no one else quite like Jean-Luc Godard, one of the most significant and inspiring filmmakers of recent times. Where the flood of movies globally now runs into many thousands, Godard's works stand out as original, acerbic, romantic, ironic, controversial, humorous and explorative. This book considers all of Godard's works in cinema, from his early short films and the important success and cultural impact of Breathless through the remarkable series of movies of the 1960s to the latest feature films. The…mehr

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JEAN-LUC GODARD: THE PASSION OF CINEMA VOLUME 2: 1968 ONWARDS By Jeremy Mark Robinson There's no one else quite like Jean-Luc Godard, one of the most significant and inspiring filmmakers of recent times. Where the flood of movies globally now runs into many thousands, Godard's works stand out as original, acerbic, romantic, ironic, controversial, humorous and explorative. This book considers all of Godard's works in cinema, from his early short films and the important success and cultural impact of Breathless through the remarkable series of movies of the 1960s to the latest feature films. The book is split into two volumes: Jean-Luc Godard: The Passion of Cinema/ Le Passion de Cinema: Volume 1: To 1968 Jean-Luc Godard: The Passion of Cinema/ Le Passion de Cinema: Volume 2: From 1968 Volume 2 includes a biography of Godard; an exploration of aspects of his cinema; and chapters on movies such as Tout Va BIen, the political films of the Dziga Vertov period (1968-73), Passion, First Name: Carmen, Slow Motion, Detective, King Lear, J.L.G./ J.L.G., New Wave, Woe Is Me, Hail Mary, later works such as Socialism, Goodbye To Language, In Praise of Love and Our Music, and Godard's masterpiece, a history of cinema. EXTRACT FROM THE CHAPTER ON HISTOIRE(S) DU CINEMA Jean-Luc Godard produced an epic history of cinema, between 1989 and 1998, Histoire(s) du Cinéma (which means Stor(ies) of Cinema, as well as Histor(ies) of Cinema). This was a major work, and has generated a good deal of critical comment. As well as being a history of cinema, it was also a history of the age - and a history of Godard himself. It was completed in 1998 (but may develop further): there were five audio CDs (from Edition of Contemporary Music Records),2 a video release of the 8 parts on video from Gaumont (running to 266 minutes), and a boxed set of 4 books from Gallimard.3 A 90-minute 'best of' film was edited for cinemas: Le Moment choisi des Histoire(s) de cinéma, 2004). In Histoire(s) du Cinéma, Jean-Luc Godard delivered a poetic document of cinema in his highly idiosyncratic style of overlays and endless quotations, a montage style all his own, which combined multiple voices, layers of sounds and music, sound clips from films, captions, and an endless stream of visuals (interspersed with images of Godard at work in his offices, typing or writing or talking). Histoire(s) du Cinéma was a super-dense collage of photos, music, sounds and movie clips, written texts, taking in prints (Rembrandt, Doré), paintings (Turner, Moreau, Renoir, Goya, Grünewald, Delacroix, Kandinsky, van Gogh, Uccello, Klimt, Gentileschi, Giotto, Botticelli, Angelico, Fuseli, Caravaggio, Blake, El Greco, Piero, Monet, Manet, Picasso, Byzantine ikons), writers (Rimbaud, Céline, Brecht, Bataille, Faulkner, Flaubert, Duras, Valéry, Hugo, Dante, Ovid, Aragorn, Malraux, Proust, Gide), ciné-heroes like Henri Langlois, newsreel, pornography, television, and complex video techniques, such as super-impositions, irses, masked frames, visual mixes, flash cuts, repeated phrases, and echo and reverb effects on voices and sounds. And it's Godard's vision, his narration, his philosophy, his ideas, and his emotions that unites it all, that makes it all work. Certainly there are very few filmmakers on the planet who could've pulled it off. Fully illustrated. Bibliography, filmography, Godardisms and notes.
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Autorenporträt
JEREMY ROBINSON has published poetry, ¿ction, and studies of J.R.R. Tolkien, Samuel Beckett, Thomas Hardy, André Gide and D.H. Lawrence. Robinson has edited poetry books by Novalis, Ursula Le Guin, Friedrich Hölderlin, Francesco Petrarch, Dante Alighieri, Arseny Tarkovsky, and Rainer Maria Rilke. Books on film and animation include: The Akira Book ¿ The Art of Katsuhiro Otomo ¿ The Art of Masamune Shirow ¿ The Ghost In the Shell Book ¿ Fullmetal Alchemist ¿ Cowboy Bebop: The Anime and Movie ¿ The Cinema of Hayao Miyazaki ¿ Hayao Miyazaki: Pocket Guide ¿ Princess Mononoke: Pocket Movie Guide ¿ Spirited Away: Pocket Movie Guide ¿ Blade Runner and the Cinema of Philip K. Dick ¿ Blade Runner: Pocket Movie Guide ¿ The Cinema of Donald Cammell ¿ Performance: Donald Cammell: Nic Roeg: Pocket Movie Guide ¿ Pasolini: Il Cinema di Poesia/ The Cinema of Poetry ¿ Salo: Pocket Movie Guide ¿ The Trilogy of Life Movies: Pocket Movie Guide ¿ The Gospel According To Matthew: Pocket Movie Guide ¿ The Ecstatic Cinema of Tony Ching Siu-tung ¿ Tsui Hark: The Dragon Master of Chinese Cinema ¿ The Swordsman: Pocket Movie Guide ¿ A Chinese Ghost Story: Pocket Movie Guide ¿ Ken Russell: England's Great Visionary Film Director and Music Lover ¿ Tommy: Ken Russell: The Who: Pocket Movie Guide ¿ Women In Love: Ken Russell: D.H. Lawrence: Pocket Movie Guide ¿ The Devils: Ken Russell: Pocket Movie Guide ¿ Walerian Borowczyk: Cinema of Erotic Dreams ¿ The Beast: Pocket Movie Guide ¿ The Lord of the Rings Movies ¿ The Fellowship of the Ring: Pocket Movie Guide ¿ The Two Towers: Pocket Movie Guide ¿ The Return of the King: Pocket Movie Guide ¿ Jean-Luc Godard: The Passion of Cinema ¿ The Sacred Cinema of Andrei Tarkovsky ¿ Andrei Tarkovsky: Pocket Guide.