Preface Acknowledgements List of abbreviations and note on the text Chronology 1. Living on both sides, living to write 2. Registering protest: The Left Bank and Quartet 3. A Caribbean woman lost in Europe?: After Leaving Mr MacKenzie and the question of gender 4. Writing colour, writing Caribbean: Voyage in the Dark and the politics of colour 5. Dangerous spirit, bitterly amused: Good Morning, Midnight 6. People in and out of place: spatial arrangements in Wide Sargasso Sea 7. Brief encounters: Rhys and the craft of the short story 8. Performance arts: the theatre of autobiography and the role of the personal essay 9. The Helen of our wars: cultural politics and Jean Rhys criticism Notes Select bibliography Index.
Preface Acknowledgements List of abbreviations and note on the text Chronology 1. Living on both sides, living to write 2. Registering protest: The Left Bank and Quartet 3. A Caribbean woman lost in Europe?: After Leaving Mr MacKenzie and the question of gender 4. Writing colour, writing Caribbean: Voyage in the Dark and the politics of colour 5. Dangerous spirit, bitterly amused: Good Morning, Midnight 6. People in and out of place: spatial arrangements in Wide Sargasso Sea 7. Brief encounters: Rhys and the craft of the short story 8. Performance arts: the theatre of autobiography and the role of the personal essay 9. The Helen of our wars: cultural politics and Jean Rhys criticism Notes Select bibliography Index.
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