This commentary on Jeremiah is part of a series of commentaries, each to be published by Quartz Hill Publishing House, and each to be in a concise format. The textual base of the commentary is the venerable American Standard Version of 1901. This Eng-lish version is really one of the best ever produced and it continues to be valuable even now, over 100 years later. There are no frills here: no extensive footnotes, no lengthy outlines, no overbearing introductions-just the text and what it means.
This commentary on Jeremiah is part of a series of commentaries, each to be published by Quartz Hill Publishing House, and each to be in a concise format. The textual base of the commentary is the venerable American Standard Version of 1901. This Eng-lish version is really one of the best ever produced and it continues to be valuable even now, over 100 years later. There are no frills here: no extensive footnotes, no lengthy outlines, no overbearing introductions-just the text and what it means.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jim West began his broadcasting career in the early 70's working part-time while serving in the U.S. Air Force. By the end of the decade, he would be working for Buck Owens and the Owens family at KNIX in Phoenix, Arizona. Over the next 40 plus years, the experience and skills he learned at KNIX served him well in radio stations in cities like Indianapolis, Albuquerque, Baltimore and Tucson. He worked as an on-air radio personality as well as in programming and management positions in radio, television and satellite radio operations. West is a two-time finalist for Nashville's Country Radio Hall of Fame and a finalist for Large Market Country Music Association (CMA) Broadcast Personality of the Year. He served on the Academy of Country Music (ACM) Board of Directors and was inducted into the Greater Arizona Country Music Hall of Fame in 2019. In retirement, West has become a music historian and author. His first book was THE PHOENIX SOUND, A History of Twang and Rockabilly Music in Arizona. He is also a co-writer on the book RAY ODOM; A Lifetime of Radio, Records and Racehorses. He continues to write for major magazines and can be heard on Satellite and Internet radio stations in many areas of the country.
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