Broadening our understanding of photography's history and its influence on modernism, this richly illustrated study-the first of its kind-reveals the remarkable extent to which British photography is a Jewish story.
Broadening our understanding of photography's history and its influence on modernism, this richly illustrated study-the first of its kind-reveals the remarkable extent to which British photography is a Jewish story.
List of Illustrations Abbreviations Preface: The Prince, the Professor, the Photographer—and the Jewish Question Acknowledgments Introduction: Fancy, Fear, Suspicion Chapter 1. Studios: Between Intimacy and Commercialism Chapter 2. Elective Affinities in Photojournalism Chapter 3. Photographic Practice at the Warburg Institute, 1933–1948 Chapter 4. The Brothers Gernsheim, Part I Chapter 5. Not Harry Gresham Chapter 6. Helmut Gernsheim, "Semite" Epilogue Notes Further Reading Index
List of Illustrations Abbreviations Preface: The Prince, the Professor, the Photographer—and the Jewish Question Acknowledgments Introduction: Fancy, Fear, Suspicion Chapter 1. Studios: Between Intimacy and Commercialism Chapter 2. Elective Affinities in Photojournalism Chapter 3. Photographic Practice at the Warburg Institute, 1933–1948 Chapter 4. The Brothers Gernsheim, Part I Chapter 5. Not Harry Gresham Chapter 6. Helmut Gernsheim, "Semite" Epilogue Notes Further Reading Index
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