Jihadi Audiovisuality and its Entanglements
Meanings, Aesthetics, Appropriations
Herausgeber: Gunther, Christoph; Pfeifer, Simone
Jihadi Audiovisuality and its Entanglements
Meanings, Aesthetics, Appropriations
Herausgeber: Gunther, Christoph; Pfeifer, Simone
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Explores the use of images, sounds and videos in Jihadi media and how people engage with them
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Explores the use of images, sounds and videos in Jihadi media and how people engage with them
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
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Produktdetails
- Produktdetails
- Verlag: Edinburgh University Press
- Seitenzahl: 336
- Erscheinungstermin: 31. Dezember 2020
- Englisch
- Abmessung: 163mm x 240mm x 28mm
- Gewicht: 700g
- ISBN-13: 9781474467513
- ISBN-10: 1474467512
- Artikelnr.: 59907834
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Edinburgh University Press
- Seitenzahl: 336
- Erscheinungstermin: 31. Dezember 2020
- Englisch
- Abmessung: 163mm x 240mm x 28mm
- Gewicht: 700g
- ISBN-13: 9781474467513
- ISBN-10: 1474467512
- Artikelnr.: 59907834
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Christoph Günther is the Principal Investigator of the junior research group Jihadism on the Internet: Images and Videos, their Dissemination and Appropriation in the Department of Anthropology and African Studies at the University of Mainz. Christoph's research interests include religio-political movements in the modern Middle East, visual cultures and iconography, and the sociology of religion. His research has been published in the International Journal of Communication, Sociology of Islam, International Journal of Contemporary Iraqi Studies, among others. Simone Pfeifer is Postdoctoral Researcher in the junior research group Jihadism on the Internet: Images and Videos, their Dissemination and Appropriation at the Department of Anthropology and African Studies at the Johannes Gutenberg University of Mainz (Germany). In her research, she focuses on everyday life of Muslims in Germany, and gender specific and affective dimensions in the appropriation of Islamic videos and images in social media. She recently published a book on social media in transnational everyday life on social and visual media practices, kinship and migration of Senegalese in Berlin and Dakar: Soziale Medien im transnationalen Alltag (transcript, 2020).
Acknowledgements
Jihadi Audiovisuality and its Entanglements: A Conceptual Framework
Christoph Günther and Simone Pfeifer
A: ETHICAL CHALLENGES OF EMPIRICALLY GROUNDED RESEARCH ON JIHADISM
1. On Speaking, Remaining Silent and Being Heard: Framing Research,
Positionality and Publics in the Jihadi Field
Martijn de Koning, Annelies Moors, Aysha Navest
2. Designing Research on Radicalisation using Social Media Content: Data
Protection Regulations as Challenges and Opportunities
Manjana Sold, Hande Abay Gaspar, Julian Junk
3. Ethics in Gender Online Research: A Facebook Case Study
Claudia Carvalho
B: VISUALIZING JIHADI IDEOLOGY AND ACTION
4. Appropriation in Islamic State Propaganda: A Theoretical and Analytical
Framework of Types and Dimensions
Bernd Zywietz and Yorck Beese
5. Visual Performativity of Violence: Power and Retaliatory Humiliation in
Islamic State (IS) Beheading Videos between 2014 and 2017
Michael Krona
6. From the Darkness into the Light. Narratives of Conversion in Jihadi
Videos
Christoph Günther
C: APPROPRIATING AND CONTESTING JIHADI AUDIOVISUALITY
7. Artivism, Politics and Islam - An Empirical-Theoretical Approach to
Artistic Strategies and Aesthetic Counter-Narratives that Defy Collective
Stigmatisation
Monika Salzbrunn
8. Re-enacting Violence: Contesting Public Spheres with Appropriations of
IS Execution Videos
Simone Pfeifer, Larissa-Diana Fuhrmann, Patricia Wevers
9. 'You're against Dawla, but you're Listening to their Nasheeds?'
Appropriating Jihadi Audio-Visualities in the Online Streetwork Project
Jamal al-Khatib - My Path!
Rami Ali, Dzemal sibljakovic, Felix Lippe, Ulrich Neuburg, Florian Neuburg
D: ANASHID: SOUNDSCAPES OF RELIGIO-POLITICAL EXPERIENCE
10. 'Nashid' between Islamic Chanting and Jihadi Hymns: Continuities and
Transformations
Ines Weinrich
11. Anashid at the Crossroad between the Organizational and the Private
Karin Berg
12. Contested Chants: The Nashid Sòali¯l al-Sòawa¯rim and its
Appropriations
Alexandra Dick and Larissa-Diana Fuhrmann
Index
Jihadi Audiovisuality and its Entanglements: A Conceptual Framework
Christoph Günther and Simone Pfeifer
A: ETHICAL CHALLENGES OF EMPIRICALLY GROUNDED RESEARCH ON JIHADISM
1. On Speaking, Remaining Silent and Being Heard: Framing Research,
Positionality and Publics in the Jihadi Field
Martijn de Koning, Annelies Moors, Aysha Navest
2. Designing Research on Radicalisation using Social Media Content: Data
Protection Regulations as Challenges and Opportunities
Manjana Sold, Hande Abay Gaspar, Julian Junk
3. Ethics in Gender Online Research: A Facebook Case Study
Claudia Carvalho
B: VISUALIZING JIHADI IDEOLOGY AND ACTION
4. Appropriation in Islamic State Propaganda: A Theoretical and Analytical
Framework of Types and Dimensions
Bernd Zywietz and Yorck Beese
5. Visual Performativity of Violence: Power and Retaliatory Humiliation in
Islamic State (IS) Beheading Videos between 2014 and 2017
Michael Krona
6. From the Darkness into the Light. Narratives of Conversion in Jihadi
Videos
Christoph Günther
C: APPROPRIATING AND CONTESTING JIHADI AUDIOVISUALITY
7. Artivism, Politics and Islam - An Empirical-Theoretical Approach to
Artistic Strategies and Aesthetic Counter-Narratives that Defy Collective
Stigmatisation
Monika Salzbrunn
8. Re-enacting Violence: Contesting Public Spheres with Appropriations of
IS Execution Videos
Simone Pfeifer, Larissa-Diana Fuhrmann, Patricia Wevers
9. 'You're against Dawla, but you're Listening to their Nasheeds?'
Appropriating Jihadi Audio-Visualities in the Online Streetwork Project
Jamal al-Khatib - My Path!
Rami Ali, Dzemal sibljakovic, Felix Lippe, Ulrich Neuburg, Florian Neuburg
D: ANASHID: SOUNDSCAPES OF RELIGIO-POLITICAL EXPERIENCE
10. 'Nashid' between Islamic Chanting and Jihadi Hymns: Continuities and
Transformations
Ines Weinrich
11. Anashid at the Crossroad between the Organizational and the Private
Karin Berg
12. Contested Chants: The Nashid Sòali¯l al-Sòawa¯rim and its
Appropriations
Alexandra Dick and Larissa-Diana Fuhrmann
Index
Acknowledgements
Jihadi Audiovisuality and its Entanglements: A Conceptual Framework
Christoph Günther and Simone Pfeifer
A: ETHICAL CHALLENGES OF EMPIRICALLY GROUNDED RESEARCH ON JIHADISM
1. On Speaking, Remaining Silent and Being Heard: Framing Research,
Positionality and Publics in the Jihadi Field
Martijn de Koning, Annelies Moors, Aysha Navest
2. Designing Research on Radicalisation using Social Media Content: Data
Protection Regulations as Challenges and Opportunities
Manjana Sold, Hande Abay Gaspar, Julian Junk
3. Ethics in Gender Online Research: A Facebook Case Study
Claudia Carvalho
B: VISUALIZING JIHADI IDEOLOGY AND ACTION
4. Appropriation in Islamic State Propaganda: A Theoretical and Analytical
Framework of Types and Dimensions
Bernd Zywietz and Yorck Beese
5. Visual Performativity of Violence: Power and Retaliatory Humiliation in
Islamic State (IS) Beheading Videos between 2014 and 2017
Michael Krona
6. From the Darkness into the Light. Narratives of Conversion in Jihadi
Videos
Christoph Günther
C: APPROPRIATING AND CONTESTING JIHADI AUDIOVISUALITY
7. Artivism, Politics and Islam - An Empirical-Theoretical Approach to
Artistic Strategies and Aesthetic Counter-Narratives that Defy Collective
Stigmatisation
Monika Salzbrunn
8. Re-enacting Violence: Contesting Public Spheres with Appropriations of
IS Execution Videos
Simone Pfeifer, Larissa-Diana Fuhrmann, Patricia Wevers
9. 'You're against Dawla, but you're Listening to their Nasheeds?'
Appropriating Jihadi Audio-Visualities in the Online Streetwork Project
Jamal al-Khatib - My Path!
Rami Ali, Dzemal sibljakovic, Felix Lippe, Ulrich Neuburg, Florian Neuburg
D: ANASHID: SOUNDSCAPES OF RELIGIO-POLITICAL EXPERIENCE
10. 'Nashid' between Islamic Chanting and Jihadi Hymns: Continuities and
Transformations
Ines Weinrich
11. Anashid at the Crossroad between the Organizational and the Private
Karin Berg
12. Contested Chants: The Nashid Sòali¯l al-Sòawa¯rim and its
Appropriations
Alexandra Dick and Larissa-Diana Fuhrmann
Index
Jihadi Audiovisuality and its Entanglements: A Conceptual Framework
Christoph Günther and Simone Pfeifer
A: ETHICAL CHALLENGES OF EMPIRICALLY GROUNDED RESEARCH ON JIHADISM
1. On Speaking, Remaining Silent and Being Heard: Framing Research,
Positionality and Publics in the Jihadi Field
Martijn de Koning, Annelies Moors, Aysha Navest
2. Designing Research on Radicalisation using Social Media Content: Data
Protection Regulations as Challenges and Opportunities
Manjana Sold, Hande Abay Gaspar, Julian Junk
3. Ethics in Gender Online Research: A Facebook Case Study
Claudia Carvalho
B: VISUALIZING JIHADI IDEOLOGY AND ACTION
4. Appropriation in Islamic State Propaganda: A Theoretical and Analytical
Framework of Types and Dimensions
Bernd Zywietz and Yorck Beese
5. Visual Performativity of Violence: Power and Retaliatory Humiliation in
Islamic State (IS) Beheading Videos between 2014 and 2017
Michael Krona
6. From the Darkness into the Light. Narratives of Conversion in Jihadi
Videos
Christoph Günther
C: APPROPRIATING AND CONTESTING JIHADI AUDIOVISUALITY
7. Artivism, Politics and Islam - An Empirical-Theoretical Approach to
Artistic Strategies and Aesthetic Counter-Narratives that Defy Collective
Stigmatisation
Monika Salzbrunn
8. Re-enacting Violence: Contesting Public Spheres with Appropriations of
IS Execution Videos
Simone Pfeifer, Larissa-Diana Fuhrmann, Patricia Wevers
9. 'You're against Dawla, but you're Listening to their Nasheeds?'
Appropriating Jihadi Audio-Visualities in the Online Streetwork Project
Jamal al-Khatib - My Path!
Rami Ali, Dzemal sibljakovic, Felix Lippe, Ulrich Neuburg, Florian Neuburg
D: ANASHID: SOUNDSCAPES OF RELIGIO-POLITICAL EXPERIENCE
10. 'Nashid' between Islamic Chanting and Jihadi Hymns: Continuities and
Transformations
Ines Weinrich
11. Anashid at the Crossroad between the Organizational and the Private
Karin Berg
12. Contested Chants: The Nashid Sòali¯l al-Sòawa¯rim and its
Appropriations
Alexandra Dick and Larissa-Diana Fuhrmann
Index