Joan Brossa, El saltamartí / The Tumbler - Brossa, Joan
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This first-time English translation of The Tumbler (El saltamartí)-a collection of poems written in 1963 and first published in Catalan in 1969-presents a convergence of Joan Brossa's critical and cultural concerns. Charting his growing sense of social commitment and support of Catalan independence, freedom stands as both Brossa's primary subject and conceptual framework throughout this collection. The Tumbler is an anti-clerical and anti-authoritarian work that brings together verse vignettes and visual poems to revivify the proverbial, often with comic and subversive effect. Brossa plays…mehr

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Produktbeschreibung
This first-time English translation of The Tumbler (El saltamartí)-a collection of poems written in 1963 and first published in Catalan in 1969-presents a convergence of Joan Brossa's critical and cultural concerns. Charting his growing sense of social commitment and support of Catalan independence, freedom stands as both Brossa's primary subject and conceptual framework throughout this collection. The Tumbler is an anti-clerical and anti-authoritarian work that brings together verse vignettes and visual poems to revivify the proverbial, often with comic and subversive effect. Brossa plays with image, iconography and intimation as both verbal and visual elements vie for our attentions across these pages as-always the innovator-Brossa evinces a manifestly accessible and archly political poetry that demands our critical and creative participation. The Tumbler stands as a critical study of freedom; as "a bird that moves its wings."
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Autorenporträt
Joan Brossa [1919-1998] was born in Barcelona into a family of artisans. He began writing when he was mobilised in the Spanish Civil War and, following an introduction to surrealism by way of the friendship and influence of Joan Miró and Joan Prats, would fuse political engagement and aesthetic experiment through sonnets, odes, theatre, sculpture and screenplay within a neo-surrealist framework. Brossa founded the magazine Dau al Set in 1948 and, during the fifties and sixties, his poetry was increasingly informed by collectivist concerns. His collection El saltamartí (1963) presented a synthesis of themes both political and social, and the subsequent publication of Poesia Rasa (1970), Poemes de seny i cabell (1977), Rua de llibres (1980)-and the six volumes of Poesia escénica (published between 1973 and 1983)-saw Brossa stake his place as a central figure in contemporary Catalan literature.