This collection offers the first place for the importance of Brainard's poetry, collaborations and art to be recognised for their contribution and influence, all in one place.
This collection offers the first place for the importance of Brainard's poetry, collaborations and art to be recognised for their contribution and influence, all in one place.
Yasmine Shamma is a specialist in contemporary American and world poetry. She earned her DPhil from the University of Oxford, her MA from Georgetown University, and her BA from the American University of Beirut. She has worked as editor, writer, teacher, and scholar throughout the US, UK and Middle East. Her long-standing interest in the forms and figures of New York School poetry informs this collection. Her book, Spatial Poetics: Second Generation New York School Poetry is in press with Oxford University Press and due to be published in 2018.
Inhaltsangabe
Acknowledgements Introduction: Joe Brainard's Collage Aesthetic Yasmine Shamma Part 1: Reflections and Recollections Joe, A Funny Nickname - Alice Notley Tenderness and Gristle - Anne Waldman Smoking Joe - John Brainard Artist Statement - John Ashbery Vulnerability in Joe Brainard's Work - Edmund Berrigan Part 2: Joe Brainard's Visions and Visuals Joe Brainard: The Madonna of the Future - Nathan Kernan Boom: Joe Brainard 1961 - 1963 - Ron Padgett Joe Brainard's Still-Life Poetics - Jess Cotton Part 3: Brainard and Others "Men with Pair of Scissors": Joe Brainard and John Ashbery's Eclecticism - Rona Cran Codes and Wounds: Exposure and Inviolability in the Work of Joe Brainard and Frank Bidart - Anna Smaill The Friendly Way: Crafting Community in Joe Brainard's Poetry - Brian Glavey Joe Brainard's Conversations: On Dialogue, In Dialogue - Andrew Epstein Andy Fitch Part 4: Brainard's Books "Fuck work": The Reciprocity of Labor and Pleasure in Joe Brainard's Writing - Nick Sturm Everyday Queers: Joe Brainard, Femininity, and the Queer Poetics of the Normal - Kimberly Lamm 'Saying Good-Bye': Joe Brainard's Bolinas Journal and Memoir as Disappearance - Timothy Keane Afterword Marjorie Perloff
Acknowledgements Introduction: Joe Brainard's Collage Aesthetic Yasmine Shamma Part 1: Reflections and Recollections Joe, A Funny Nickname - Alice Notley Tenderness and Gristle - Anne Waldman Smoking Joe - John Brainard Artist Statement - John Ashbery Vulnerability in Joe Brainard's Work - Edmund Berrigan Part 2: Joe Brainard's Visions and Visuals Joe Brainard: The Madonna of the Future - Nathan Kernan Boom: Joe Brainard 1961 - 1963 - Ron Padgett Joe Brainard's Still-Life Poetics - Jess Cotton Part 3: Brainard and Others "Men with Pair of Scissors": Joe Brainard and John Ashbery's Eclecticism - Rona Cran Codes and Wounds: Exposure and Inviolability in the Work of Joe Brainard and Frank Bidart - Anna Smaill The Friendly Way: Crafting Community in Joe Brainard's Poetry - Brian Glavey Joe Brainard's Conversations: On Dialogue, In Dialogue - Andrew Epstein Andy Fitch Part 4: Brainard's Books "Fuck work": The Reciprocity of Labor and Pleasure in Joe Brainard's Writing - Nick Sturm Everyday Queers: Joe Brainard, Femininity, and the Queer Poetics of the Normal - Kimberly Lamm 'Saying Good-Bye': Joe Brainard's Bolinas Journal and Memoir as Disappearance - Timothy Keane Afterword Marjorie Perloff
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