Johann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre - Seares, Margaret
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In this important study, Margaret Seares places Johannes Mattheson's Pièces de clavecin (1714) in the context of his work as a public intellectual who encouraged German musicians and their musical public to embrace a universalism of style and expression derived from contemporary currents in music of the leading European nations. Seares's understand

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Produktbeschreibung
In this important study, Margaret Seares places Johannes Mattheson's Pièces de clavecin (1714) in the context of his work as a public intellectual who encouraged German musicians and their musical public to embrace a universalism of style and expression derived from contemporary currents in music of the leading European nations. Seares's understand
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Autorenporträt
Emeritus Professor Margaret Seares retired from her role as Senior Deputy Vice Chancellor at The University of Western Australia in 2008. Since her retirement from university administration she has resumed her research work, which focuses on early eighteenth-century music and on Australian cultural policy. She has articles in Early Music and Eighteenth-Century Music and was responsible for the preparation of the online article on Australia's cultural policy for the Council of Europe. Seares is co-author, with Kay Stevenson, of Paradise Lost in Short: Smith, Stillingfleet and the Transformation of Epic (1998) with co-author Kay Stevenson.