This book shows how Ashbery's poetry has been centrally concerned with questions of national identity and intercultural poetic exchange. Through detailed close readings of his poetry, original interviews, and extensive archival research, a new account of Ashbery's aesthetic, and a significant re-mapping of post-war English poetry, is presented.
This book shows how Ashbery's poetry has been centrally concerned with questions of national identity and intercultural poetic exchange. Through detailed close readings of his poetry, original interviews, and extensive archival research, a new account of Ashbery's aesthetic, and a significant re-mapping of post-war English poetry, is presented.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Oli Hazzard is a Lecturer in Creative Writing at the University of St. Andrews, and previously taught at Kingston University. He received his BA from University College London, his MA from the University of Bristol, and his D.Phil from the University of Oxford, where he was affiliated with the Oxford Centre for Life-Writing at Wolfson College. He has written two books of poems: Between Two Windows (Carcanet, 2012), which won the Michael Murphy Memorial Prize, an Eric Gregory Award, and was a Book of the Year in the Times Literary Supplement, Financial Times and Guardian; and Blotter (Carcanet, 2018).
Inhaltsangabe
Introduction 1: 'the barbarous wastes': Ashbery and W. H. Auden 2: 'all things as they might be': Ashbery and F. T. Prince 3: 'trying to have it both ways': Ashbery and Lee Harwood 4: 'we are where we exchanged / positions': Ashbery and Mark Ford
Introduction 1: 'the barbarous wastes': Ashbery and W. H. Auden 2: 'all things as they might be': Ashbery and F. T. Prince 3: 'trying to have it both ways': Ashbery and Lee Harwood 4: 'we are where we exchanged / positions': Ashbery and Mark Ford
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