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Paula de Pando analyses the engagement of historical she-tragedy with Restoration politics and culture, positioning Banks's plays at the crossroads between early modern genres and the emerging discourses of the long eighteenth century.

Produktbeschreibung
Paula de Pando analyses the engagement of historical she-tragedy with Restoration politics and culture, positioning Banks's plays at the crossroads between early modern genres and the emerging discourses of the long eighteenth century.
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Autorenporträt
Paula de Pando, Ph.D. (University of Seville, 2010), is Associate Researcher at that university. She has published extensively on Restoration drama, including co-editing Durfey's The Marriage-Hater Matched (University of Barcelona, 2014) and contributing to The Wiley-Blackwell Encyclopedia of British Literature: 1660-1789.