Looking at one of the twentieth century's most notorious musical masterpieces, John Cage's Concert for Piano and Orchestra examines Cage's compositional process, its infamous performance history, and its influence on philosophical ideas of what music actually is.
Looking at one of the twentieth century's most notorious musical masterpieces, John Cage's Concert for Piano and Orchestra examines Cage's compositional process, its infamous performance history, and its influence on philosophical ideas of what music actually is.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Martin Iddon is Professor of Music and Aesthetics at the University of Leeds. His musicological research largely focuses on post-war music in Germany and the United States. He is the author of New Music at Darmstadt and John Cage and David Tudor: Correspondence on Interpretation and Performance. Philip Thomas is Professor of Performance at the University of Huddersfield. He specializes in performing experimental notated and improvised music, and is the co-editor of Changing the System: The Music of Christian Wolff.
Inhaltsangabe
List of figures List of tables List of abbreviations Acknowledgements Introduction Chapter 1: Situating the Concert for Piano and Orchestra Chapter 2: Sketching the Concert for Piano and Orchestra Chapter 3: Presenting the Concert for Piano and Orchestra Chapter 4: Performing the Concert for Piano and Orchestra Chapter 5: Interpreting the Concert for Piano and Orchestra Chapter 6: Interpreting the Solo for Piano Chapter 7: Understanding the Concert for Piano and Orchestra Bibliography Index
List of figures List of tables List of abbreviations Acknowledgements Introduction Chapter 1: Situating the Concert for Piano and Orchestra Chapter 2: Sketching the Concert for Piano and Orchestra Chapter 3: Presenting the Concert for Piano and Orchestra Chapter 4: Performing the Concert for Piano and Orchestra Chapter 5: Interpreting the Concert for Piano and Orchestra Chapter 6: Interpreting the Solo for Piano Chapter 7: Understanding the Concert for Piano and Orchestra Bibliography Index
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